how make 8 LUFS 8(Tarjet) for all songs

Discussion in 'Mixing and Mastering' started by ryck, Jun 13, 2018.

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  1. ryck

    ryck Member

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    Hy Guys!!
    Well, i do it some songs for a CD and put in web. I have a problem. I have a song work perfect in 8 LUFS and have other works in 12 LUFS if i try do it this song (12 LUFS) to 8 LUFS im broken song,i say, the song lost emotion, dinamics.Because this song is soft , and the other is Rock ( Indie rock or some like these O.o)
    If i put maybe in 14 LUFS for all song , i listen some song need much energy, like, indie rock, rock,etc.
    I need yours opinion. What can i do? can give me ideas?
    Thanks and sorry for my very sad english.
     
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  3. No Avenger

    No Avenger Audiosexual

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    If you upload these song for instance at YT, they all we be lowered to -16 LUFS (other platforms have similar targets, even though not the same).

    Sure, different genres need different LUFS values and if they all have the same peak level, which should be -1dBFS, I wouldn't adjust them all to the same LUFS level, it would do the songs no justice.
     
  4. ryck

    ryck Member

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    Yes, true. Is for youtube, itunes, etc. U know,all these. I think in -16 LUFS and it's ok Realy? Because they have automatic level to put in -16 LUFS. But my question is , if i do it is...I must do it some song strong in -7 ( Rock,etc) and next put in -16 LUFS? or i do Mastering all in -16 LUFS?..Thanks!
     
  5. mercurysoto

    mercurysoto Audiosexual

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    I find this to be very insightful and a direct response to the OP. I got a mail from Ian Shepperd from Production Advice. I hope it's useful. This is a copy/paste from the mail I got:

    DON’T aim for LUFS targets online !


    [​IMG]

    All the online streaming services play music back at roughly -14 LUFS, so that’s the level we should aim for when we’re mastering, right ?

    Wrong.

    That may sound strange, given how much I’ve talked about online loudness over the years – but I'm serious. In this show we dive deeper into one of the points we discussed in the last episode: why you shouldn’t be aiming for specific integrated LUFS values when mastering you music for online streaming. But, why it's still useful to know how your music will be affected.

    Topics we cover include:

    • A quick introduction to normalization
    • How it works
    • Why peak normalisation is useless for matching loudness
    • Why mastering songs to a specific LUFS value doesn’t work
    • So why are LUFS measurements of streaming services useful AT ALL ?
    • When Spotify’s normalization fails
    • The biggest problem with normalization right now
    Please take a minute to share the show with your friends, if you like it, and leave us a rating and review:

    http://www.themasteringshow.com/review

    Listen to the podcast & find links etc here:

    http://www.themasteringshow.com/episode-52

    On Soundcloud:

    https://soundcloud.com/themasteringshow

    and using the RSS feed, or on iTunes, here, or Stitcher, here

    If you enjoy the show, please tell your friends !

    Cheers,

    Ian

    Mastering Media (Production Advice) Ltd, Kemp House, 152-160 City Road, London, EC1V 2NX, UNITED KINGDOM
     
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  6. No Avenger

    No Avenger Audiosexual

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    First, I personally think that a general LUFS target is crap. I know why they do it, but it doesn't work for me. EDM and Rock/HM has to be louder and a lot of classical music isn't even close to it. Second there are too many different targets and every platform can change it whenever they want and in every way they want, third, it's not combined with the so called Dynamic Range (technically this expression is wrong, but...).
    I would adjust the peak levels to -1dBFS and the LUFS to whatever suits best for the songs/genre in your opinion, without squeezing the hell out of Rock/HM and EDM (-8 could be close). This way the songs will sound best on CD.
    But if a customer would insist on the different LUFS targets and pay me for it...
     
  7. ryck

    ryck Member

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    Yes ,is true. All songs need diferent expresion. If a put the same target for a soft song and strong song,this no work. Now i think how work in that. Thank u bro!
     
  8. ryck

    ryck Member

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    Thanks u.
    But i speack spanish, and i dont undertand what say in audio that u put in links.
     
  9. YFManagement

    YFManagement Member

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    in short , do what works for the record.
     
  10. junh1024

    junh1024 Platinum Record

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  11. peterA

    peterA Kapellmeister

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    I just work to whatever level works for the music. With different streaming services having different target levels anyway it seem pointless - or maybe impossible - to accommodate them all.

    I'm also not convinced about the apparent levels on YouTube because I have listened to many tracks and, if YouTube works to a set level, then they should all sound the same but they don't. The loud tracks are still loud and the softer tracks, which presumably should have their volume increased to match the standard level, still sound quiet.
     
  12. ryck

    ryck Member

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    this is the idea. For that reason i asked "How".
     
  13. ryck

    ryck Member

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    Yes,is true. I listen songs whit much volumen, and other whit minor.
     
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