Where do Yakuro and Yellow Brick Cinema get their pads?

Discussion in 'Working with Sound' started by ulrichburke, Aug 14, 2021.

  1. ulrichburke

    ulrichburke Newbie

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    Dear Anyone.

    I'm a disabled wannabe New Age-y composer who needs help finding/creating/Making Exist Cos He's No Idea How THey Do Them(!!) New Agey-pad sounds.

    Ideally - but don't stick to this - if they're presets I'd LURVE them to be 32-bit because I've got 32-bit disability software - the guy who made it never updated it. But I've got JBRIDGE which is supposed to let you run 64-bit in a 32-bit environment, haven't tried it yet cos I don't know what to try it WITH. Right!


    That's Yakuro. I'd LURVE to have his kind of backing sounds - I don't know if they're presets, or overlaid sounds or what they are but I'd love some clues as to how he makes them - that quality cos I wanna put my tracks on YouTube too!


    Yellow Brick Cinema, this lot, pad central. Again - I've got zero idea how they do them. I've got some money to spend on stuff but I don't know what to use it for. If there's a way of creating those quality sounds without spending megabucks of course I'd take it like anything. If there's a technique of creating those kind and quality of sounds from sounds I might have already, I'm up for learning. I'm a beginner really, all the synth VSTs I've downloaded are bleep-bleep-bloop-bloop, I've no idea how to go from sine/saw waves to Yellow Brick Cinema sounds. Not saying I WANT to start from scratch, I'm happy using presets.... Last bit.

    I understand the theory of 'multis' - sounds stuck together in a VST, usually a multitimbral one, and saved as One Preset. So you've got - say - 8 individual sounds making up One Multi Preset. I've got the Korg M1 Emulator, that's how I understand that theory, but I can't get anywhere near Yellow Brick Cinema sound quality with it. But its advantage is - a preset might have parts of the sound that get in the way of the rest of the piece, so you're always EQ'ing them out. If you're building a multi, you can leave out the sounds you don't need so everything jigsaw-puzzles in together. I can't create my own sounds-from-scratch in the M1 but I don't really have to - they've got all the building blocks there and you can just mix'n'match them. Which to me is awesome. I just wish the end results could be Yellow Brick Cinema/Yakuro/Karunesh quality.

    Will follow/try out all advice!

    Yours respectfully

    Chris.
     
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  3. BEAT16

    BEAT16 Audiosexual

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    Which digital audio workstation do you use? There are Ableton, Studio One, Cubase, Reaper, FL Studio etc.! Which operating system are you using? Tell me a little more about your hardware, etc. so that we can recommend something to you better.

    HG Fortune - Nearly Forgotten Gems - Pro versions now Freeware!
    https://audiosex.pro/threads/hg-fortune-nearly-forgotten-gems-pro-versions-now-freeware.59266/
    AlgoMusic - Now Freeware - M42 Nebula, M51 Galaxy, CZynthia
    .https://audiosex.pro/threads/algomusic-now-freeware-m42-nebula-m51-galaxy-czynthia.59236/

    Have you already tried the "Spectrasonics - Omnisphere"? www.spectrasonics.net/products/omnisphere/index.php

    Introducing Omnisphere 2.5

    Should I buy it? - Spectrasonics Omnisphere | Beat Lab
     
    Last edited: Aug 14, 2021
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  4. rudolph

    rudolph Audiosexual

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  5. dondada

    dondada Rock Star

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    OK listen mate, its not that difficult
    this is the most important one, that will help you find your sounds anywhere in the Synth- Sample world!

    A.D.S.R
    Attack .Decay. Sustain. Release

    Watch and you wuill understand why
    [​IMG]

    [​IMG]
    sometimes not all of those will be available
    or they could have slight different names
    But they can and do control "2" things
    Sound aka VCO(sound generators i.e Oscillators) & Samples

    They also (can)control FX or LFOs
    for instance

    You could controll when, after you start the sound, it starts to (FX)Distort, (FX)filter or (LFO)wobble
    Imagin you have a car sound
    (A)It starts low, (D)gets slowly louder, (S)then drops of quick once it is(mentaly) past you
    FX (A)It starts Bass heavy, (D)Bass full, (S)Filter makes a high pass quick (because thats how physics work)

    it´ll make sense later on of not now:wink:

    And most Importantly, it only has to sound Like it does the things you want
    And Have Fun!!!
     
    Last edited: Nov 11, 2021
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