What are you listening to now?

Discussion in 'Music' started by Regz, Jan 16, 2014.

  1. Shiori Oishi

    Shiori Oishi Platinum Record

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    Mary is a very popular name for use in music and movies...

    Along Comes Mary - the association

     
  3. §Ìfcada98

    §Ìfcada98 Producer

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  4. Radio

    Radio Audiosexual

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    NamNamBulu - Distances - Memories

    NamNamBulu - Now Or Never
     
  5. §Ìfcada98

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    Astonishing performance by Martha Argerich from 1961.
     
  7. rob1234

    rob1234 Ultrasonic

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    Steve Jones - Freedom Fighter (Fire And Gasoline, 1989)

     
  8. §Ìfcada98

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  11. §Ìfcada98

    §Ìfcada98 Producer

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  12. rob1234

    rob1234 Ultrasonic

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    Tangerine Dream - Love On A Real Train (New Version)

     
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  13. David Brock

    David Brock Platinum Record

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    Love it. The original is only 2 minutes long so this is great! The original version was used in the Tom Cruise movie Risky Business.
     
  14. Radio

    Radio Audiosexual

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    Klaus Schulze - Timewind (1975) HQ


    Klaus Schulze was initially the drummer for the Berlin band Psy Free with Alex Conti. He became known as the drummer for Tangerine Dream, led by Edgar Froese, and contributed to their first album, Electronic Meditation. Klaus Schulze was inspired by, among others, minimalists Terry Riley and Steve Reich, as well as American composer Morton Subotnick and classical-romantic music (including Richard Wagner).

    He founded the band Ash Ra Tempel with Manuel Göttsching and Hartmut Enke, contributing to their eponymous debut album. However, he left the band because it was almost impossible to perform live with the electronic equipment available at the time.

    From then on, Schulze devoted himself to composing atmospheric soundscapes such as Timewind, Moondawn, and Mirage – An Electronic Winter Landscape, with which he – along with Tangerine Dream – became one of the most influential pioneers of the Berlin School. This style is characterized – quite contradictorily – by unusually long passages, by contemporary standards (according to popular music's customs), which, in terms of compositional technique, are rather simple and repetitive, "hypnotic," and by harsh, noisy passages, or passages that transcend tonality.

    The latter, in particular, clearly transcend popular music in their artistic ambitions, moving toward art music and have earned Schulze recognition beyond the confines of the scene. The music's sustained market success would be surprising if it weren't for the compensatory nature of the music's technological enthusiasm, sound effects, or a continuous beat.
     
  15. §Ìfcada98

    §Ìfcada98 Producer

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