Not really a fan of the song. But what I think is a Reese bass at around 1 minute thirty seconds and 2 min 30.

Trying to create it for one of her tracks. I feel like they put it in stereo the BASS instead of putting it into MONO.

 

mono bass? this isnt the 60s

 

it's for club systems.

 

i think its 808 bass

check video below at 2:13

 

it's a reese with the filter cutoff pulled down and the resonance barely up. The Oscillators are not detuned very far apart, so the usual "effects" are less present than you often hear used. There is very little distortion, and almost no chorus.

I would make it in Phaseplant. or Knifonium. or DSP56300. any multi-osc synth would do. Massive or Phaseplant would be my first choices. Omnisphere, Reaktor. whatever you got

in FL, I have no idea what they have in there now. 3OSC or something like that?

 

Last edited: Apr 10, 2022

Nopes, it's a Reese bass with stereo unison and no concern for mono compatibility whatsoever.
In fact, it might've been widened further with some chorus.

 

Lowpass a wide supersaw and add some glide/portamento to it. To make it more mono-compatible you can highpass the Sides (S in M/S) above the highest fundamental being played.

 

so?

 

Do you have some valid question on the horizon, then? Google it.

 

Wait... Brendan has clients???

 

Ik its a scary world isn't it? Where only an ultrasonic like me has paying artists. I'm not a mix engineer, but I try to finish tracks and move on to new ideas. I'm going to do what @clone suggested.