Techno / House Music Dynamics

Discussion in 'Mixing and Mastering' started by matheuslins, Sep 18, 2015.

  1. matheuslins

    matheuslins Newbie

    Joined:
    Jun 1, 2014
    Messages:
    2
    Likes Received:
    0
    Hello guys,
    I have been producing techno & house music for 5 years, i reached a nice quality while mixing and mastering my own tracks..
    But today i just discovered that mine tracks when on a very high volume, the low end starts to distort on mine Event 20/20 low speaker, and that doesn't happens in any other pro tracks...

    How i can achieve that massive dynamics, even on very high volumes ???
    Obs: Mine tracks and the pro's had the same RMS levels, and the same low end levels at the spectrum (around -6 db)

    I have been studying a lot, so any tip or help is very appreciated, maybe im missing something basic that may do the difference!
    Best
     
  2.  
  3. fraifikmushi

    fraifikmushi Guest

    If that's the case I think it comes down to sound selection/sound design and/or frequency separation. The wrong bassline/kickdrum will easily kill your song's dynamics.
    Maybe give us a little example so we can see what we're talking about?
     
  4. ArticStorm

    ArticStorm Moderator Staff Member

    Joined:
    Jun 7, 2011
    Messages:
    7,738
    Likes Received:
    3,951
    Location:
    AudioSexPro
    sound material selecting is the most important thing, when creating a good track, no mixing and mastering can fix a track where track elements just dont want to go with each other.
    sometimes its also better to with less elements, but when they fit with each other its gooing really well.
    one rule sticking for me was that a supersawish pad and a wide lead wont go with each other. or a thumpy kickdrum with a big Reese Bass.
    these examples aquiring the same frequency space, the supersawish pad and the wide lead have live in the same M/S Space.
    a supersawish pad and a prog pluck would fix it. enough with the examples, i hope you get the ideas.

    this stuck in my mind, it helps to understand mixing and therefore to get a picture about sound material selection.


    i dont get it why everybody is going to smash its tracks as loud as they can, remember its not good for your ears and your listeneres ears.

    hope you keep in your mind, producing loud isnt also better for your ears getting tired and also that you could harm your ears. keep that in your mind if you havent thought on it already.
     
Loading...
Loading...