Sidechaining or Ducking

Discussion in 'Mixing and Mastering' started by Auen Fred, Jul 26, 2024 at 7:48 PM.

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Sidechaining or Ducking

  1. sidechaining

    27.3%
  2. ducking

    18.2%
  3. you an idiot ,sidechaining is ducking .

    54.5%
  1. Auen Fred

    Auen Fred Kapellmeister

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    Sidechaining or Ducking ?
    what do you prefer ?
    ...and what duck u are using ?
    [​IMG]
     
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  3. Sinus Well

    Sinus Well Audiosexual

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    You are an idiot. Ducking is sidechaining, but sidechaining is not ducking! :bleh:
     
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  4. mk_96

    mk_96 Audiosexual

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    Gonna go with sidechaining since it's the broader term here, kinda like choosing between ice cream and vanilla ice cream. Also i have bad experiences with ducks, they always try to bite me, fuck ducks.
     
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  5. Lois Lane

    Lois Lane Audiosexual

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    When a chain from the side is coming at my head, my father taught me how to duck.
     
  6. Auen Fred

    Auen Fred Kapellmeister

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    when to use dm duck/volumeshaper/gatekeeper , when trackspacer and when sc comp ?
    just a matter of taste ?....or workflow'wise ?
    besides bass , what do you guys duck ?
     
  7. Stevie Dude

    Stevie Dude Audiosexual

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    shaperboxing. I throw Shaperbox 3 on everything these days. Lazy af
     
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  8. Baxter

    Baxter Audiosexual

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    Ah, it's a damn trick question. :) You can side-chain a gate, and then it becomes a jumping ostrich.
     
  9. Lad Impala

    Lad Impala Platinum Record

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    When you duck all the frequencies is a way more noticeable effect.
    if your ducking specific frequencies, like trackspacer or soothe, is gonna feel more transparent.

    that's the difference, and it is a matter of taste and genre.
     
  10. Auen Fred

    Auen Fred Kapellmeister

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    info overkill and not my genrepool and im not a engineer(apparently) but found a interesting post some readers or user maybe find interesting

    where to use sidechain gate instead of sidechain compression

    https://www.reddit.com/r/audioengin...e_to_use_sidechain_gate_instead_of_sidechain/

    I love sidechain gating and use it way more than sidechain compression!

    A lot of the ideas have already been mentioned, but ways I use them:


    • triggering white or pink noise for a snare hit is a good one, have used that in the past


    • also triggering a pure sine wave tuned to the pitch of the kick drum to add more bottom end


    • using it to "tighten up" parts rhythmically. Usually this will involve not having the gate close all the way (to -100dB or whatever) but instead reduce to -3 to -6dB, or sometimes more. Examples: -- tightening between instruments (kick and bass, guitars and drums, etc) -- tightening up doubled vocal parts. If vocal parts are a tiny bit staggered rhythmically, using sidechain gating like this can help to make them feel "tightened up." Just sidechain from the most rhythmically consistent track and reduce -3 to -6 dB


    • Giving something like hi-hats or OHs more "feel" if they're flat or mechanical (I use often on drum machine HHs). Set the gate closed at around -3 and then sidechain from the snare drum (short attack and adjust release to taste) to make the part more dynamic and punch with the snare.


    • Adding transients that cut through. One example: I felt the bass part was a bit weak. Bussed it to a parallel channel, pitch-shifted up an octave, added saturation and hi-shelf boost, and then sidechain gated so signal only triggered the transient (1ms attack time, very short hold time ~20 or 30ms, decay adjusted as short as possible while still sounding natural). Bring this channel up subtly under the original.


    • I recently used it to get one string part to imitate the envelope of a pad. String part had long held chords, pad part had some rests in between, gave the gate a very long decay time and triggered from the pad part so the strings would decay with the pad.


    • EDIT: Duh, gated reverb.

    I tend to use sidechain compression when I want to clear one thing out of the way of another (ex. sidechain compress bass to make room for the kick). I tend to use sidechain gate when I want things playing at the same time / louder at the same time (above examples).

     
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  11. Auen Fred

    Auen Fred Kapellmeister

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    i only used sc compression (prefered with Sly-Fi Deflector) or track spacer to duck bass under a kick . pulling the feckn kick out .
     
  12. Sayan B

    Sayan B Ultrasonic

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    I call it Soothe-ing.
     
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  13. clone

    clone Audiosexual

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    Yup. A compressor like Pro-C2 can even illustrate easily the difference between a plugin reacting to it's own Internal Sidechain and External Sidechain control. There are reverb plugins with parameters for ducking using their own internal sidechains.

    You can even use a "ducking" plugin (an enveloper) like Kickstart triggered by an external sidechain. Or some other processor that may be reacting to a sidechain signal with no gain reduction or shaping at all.

    it's like slang. :suicide:
     
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