RP-Distort

RP-Distort is not just a distortion unit, but much more.
The distortion unit inside RP-Distort can be combined with an analog modelled filter,
compressor and widener unit.

These units can be re-order, but also can be turned on or off. So in case you only want
a great analog modelled filter... RP-Distort can offer this. Or only the unique widener
unit which is great for widening a boring mono track.

On top of that, the controls can be modulated using midi sources or by one of the 4 build
in LFO’s that can sync to your host tempo. The distortion unit offers 22 distortion types
included ring modulator and lo-fi. Inside this section you can also find the EQ and noise-gate.

INFO @

Code:

https://robpapen.com/rp-distord.html

VST2.4, AU and RTAS plug-in synthesizer for PC (Xp/Vista 32/Vista 64/Win7 32/Win7 64)
and Mac OS-X 10.4 > (IntelMac+ppc)
Two activations allowed. 2nd activation after registering product.

RP-Distort Features

Presets section:

* Uses sound banks composed of 128 presets.

* Preset handling with copy, paste, clear and compare function.

* 'Quick Browser', 'Recently Browsed' and 'Favorite' functions.

* All settings are stored inside each preset.

* Presets are stored in clear categories banks.

ESC:

* External controller hardware (fader-box) settings can be saved and restored.


Distortion section:


Amp Simulator

* Amplifier simulation effect. Several types of amp types are simulated. Great for creating edgy sounds.

* Type of amp simulation. Settings are:- None, 4x10" guitar speakers, 4x12" guitar speakers, Bass speaker, Combo speaker and Radio speaker.

* Distort Amount of distortion added to the sound.


Cabinet Simulator

* Several types of cabinet types are simulated. Great for creating edgy sounds.

* Type of cabinet simulation. Settings are:- None,Fender,Marshall & Off Axis.

* Distort Amount of distortion added to the sound.


Clipper

* Hard clipper, this limits output which is to above or below the set clipping level

* Negative The clipping level for the negative signal. From 0% (no clipping) to 100% (maximum clipping).

* Positive The clipping level for positive signal. From 0% (no clipping) to 100% (maximum clipping).

* Amount, the amount of clipping from 0% (no clipping) to 100% (fully clipped)


Cos

* Cosine distortion effect.

* Frequency, Frequency of the cosine effect.

* Amount, Amount of cosine distortion


Cross 1

* Cross, Position for cross distortion

* Amount, Amount of cross distortion


Cross 2

* Negative Cross distortion position for the negative signal

* Positive Cross distortion position for the positive signal.

* Amount, Amount of cross distortion.


Foldover

* Fold-over distortion, this amplifies and then ‘folds over’ the sound.

* Frequency Frequency of the fold-over distortion.

* Amount, Amount of fold-over distortion


Fuzz

* Fuzz-box distortion

* Frequenter Frequency of the fuzz-distortion effect

* Amount, Amount of fuzz distortion


Gapper

* Gapper distortion,

* Frequency Frequency of the gapper distortion effect

* Amount, Amount of fuzz distortion


Hard-limiter

* Hard limiter, this limits output which is to above or below the set limit level and then

* boosts the signal.

* Limit The clipping level for the signal. From 0% (no limiting) to 100% (maximum limiter).

* Amount, The amount of post-limiting boosting.


Low-Fi

* Low-Fi effect, this reduces the sample & bit rate & adds noise to the signal.

* Bits Bit level of the signal.

* Sample Rate Sample rate of the signal.

* Noise Amount of noise added to the signal.


OverDrive

* Over-drive effect

* Drive, Drive for the over-drive effect

* Amount Over-drive mixing amount..


Octave 1

* Octave effect, this shifts the sound up an octave,

* Negative Mixing for the negative signal

* Positive Mixing for the positive signal.


Octave 2

* Octave effect type 2,

* Frequency Frequency of the octave effect.

* Amount, Amount of octave effect.


Power

* Power wave-shaping effect.

* Drive, drive for the power effect

* Amount, Power mixing amount.


Rectify

* Rectifies the signal, by multiplying the negative signal

* Rectification Rectification of the negative signal, from -100% (no rectification), 0% (half rectification) to 100% (full rectification)

* Amount, Rectification mixing amount.


Ring Modulation

* The ring modulates (multiplies) different signals together depending on the type.

* Type Sine, Saw, Sqr & Tri, multiplies the input with the set oscillator.

* Frequency Sets the oscillator frequency.

* Amount Sets the ring modulation amount.


Saturate

* Saturation effect.

* Saturation Saturation level

* Amount Saturation mixing amount


SoftLimit

* Soft-limiter effect

* Amount Soft-limiter amount


Squarify

* Squares the signal (turns it to a square wave), and then lowpass filter it.

* Negative Amount the negative signal is turned to a square wave

* Positive Amount the positive signal is turned to a square wave

* Filter Amount this square wave is lowpass filtered.


Transient

* Distorts the transients, i.e. the beginnings of sounds.

* Range Transient range

* Amount Transient distortion amount.


Tube Simulator

* Tube distortion effect, by saturating, limiting, rectifying and bandpass filtering the input.

* Limit, Hard limiter threshold.

* Rect Amount of rectification, from -100% (no change), 0% (half) to 100% (full).

* Saturate Amount of saturation..

* Tone Frequency of the band pass filter.

* Emphasis Bandwidth of the band pass filter.



Filter section:

* RP-Distort has a low & high pass filter, in the order low-pass filter then high-pass filter

* 12 / 24 DB Selects between a 12dB and a 24dB filter

* Low Frequency of the low pass filter

* Low Q Resonance of the low pass filter

* High Frequency of the high pass filter

* High Q Resonance of the high pass filter


EQ Unit:


* 4 Band Equalizer effect.

* On / Off The “EQ” label turns on & off the EQ effect.

* Low 125 Hz volume

* Mid 1 500 Hz volume

* Mid 2 2 kHz volume

* High 8 kHz volume

* Noise gate unit, the noise-gate is an audio effect that removes any sound (‘gates’) that is below a threshold volume.

* On / Off The “Gate” label turns on / off the noise-gate effect.

* Threshold This sets the threshold on which the noise-gate starts to work.

* Attack This sets how fast the noise-gate returns to normal after the input volume is over the threshold.

* Hold This sets how long the input volume has to below the threshold volume before the noise-gate is triggered.

* Release This sets how long the noise-gate takes to reduce the volume to zero after the noise-gate is triggered.

 

Wow, a distortion unit with bells on!

Oct, lo-fi and ring modulation :dancing:

 

sweeeee....eeeee.....eeeeet!!!! *yes*