How do i replicate this orchestral sound?

Discussion in 'how to make "that" sound' started by MIDI2005GM, Apr 8, 2025.

  1. MIDI2005GM

    MIDI2005GM Newbie

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    Hi, I was listening to the soundtrack for a show i grew up watching called "Little Einstein's" and i noticed that the show uses a mix between a live small orchestra and what appears to be either synths or GM (General Midi) and I've been trying to replicate or find the sounds used in the series, here is a sample of what i am talking about (there's a lot more samples than this) i am looking to replicate the solo strings samples used in this clip, thanks in advance
     

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  3. Nefarai

    Nefarai Kapellmeister

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    Hi, so there's a few different ways. If you want to, for want of a better word, 'cheat', there are AI tools that will (on paper) clone a sound for you.

    I'm not sure this is the best way, and it can offer varied quality results so what I would suggest is playing around with something like a Kontakt orchestra bank, Garritan Personal Orchestra or... that sample audio sounded like they are some kind of woodwind sounds (flute, oboe etc) mixed with some kind of staccato and legato strings. Try some older recreation VSTs of these sounds if you want something that sounds a bit more synthesized than perfectly sampled.
     
  4. Radio

    Radio Audiosexual

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    The Little Einsteins soundtrack blends live orchestral recordings with synthesized elements, likely using a combination of sample libraries and General MIDI (GM) sounds. Here’s how you can replicate the solo strings heard in the show:

    Key Elements of the Sound
    1. Live Orchestra Foundation: The show’s music relies on a small ensemble (strings, woodwinds, brass) for warmth and expressiveness.

    2. Synthesized Layering: Synths or GM samples are layered for clarity and brightness, particularly in solo passages.
    Recommended Tools for Replication
    • Sample Libraries:
      • Vienna Symphonic Library or EastWest Hollywood Strings for realistic solo strings.

      • Spitfire Audio’s LABS (free) or BBC Symphony Orchestra Discover for GM-like textures.
    • Synthesis Methods:
      • Subtractive synthesis (for basic string tones) or wavetable synthesis (for hybrid textures).

      • FM synthesis can emulate brighter, metallic string harmonics.
    Stylistic Tips
    • Use portamento/glide between notes for the playful, legato phrasing in Little Einsteins.

    • Layer a real recorded violin or cello with synthesized strings for authenticity.

    • The show often features staccato pizzicato strings and vibrato-heavy leads.
    For the exact solo strings in your clip, focus on libraries with close-mic’d solo violin/cello patches and blend them with light synth layers.

    Source. AI
     
  5. Mynock

    Mynock Audiosexual

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    First part: descending C major scale, starting from the 5th degree to the 1st, with the fundamental paired in thirds (in the strings); the woodwinds (flutes, oboes, and clarinets) play what seems to be the octave, the fifth, the fourth, the third, and the second (an octave higher), in the form of rapid notes, briefly sustained and descending, with approximate synchronization (a gesture reminiscent of something breaking apart and eventually coming together again, G7 - C major).

    The second part is built with a Db augmented chord with a major 7th, played pizzicato (in the strings), with some rapid notes by the woodwinds, briefly sustained and ascending (approximate synchronization, same idea as above), accompanied by a chromatic ascending gesture, using notes from the augmented scale of Db, but also passing through neighboring notes of the aforementioned chord (use augmented scale: Db, E, F, Ab, A, C), ending with a brief,"out of sync" chromatic descent (clarinets and flutes, in a descending chromaticism interwoven with clashes of seconds), which "resolves" to Eb, which probably refers to the C minor "region": Thinking about cadential harmonic resolution, it would result in a dark cadence effect (deceptive minor cadence - the substitution of the major tonic by the minor one, suddenly, at the end), BUT the mismatched notes, which pass through clashes of seconds, in high register, with legato articulations and smooth dynamics, and the end on an "unexpected" note (the minor third of the relative minor of C major=note Eb), end up creating an almost comical effect (something that, in the end, came very close to missing its connection)!
     
    Last edited: Apr 8, 2025
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