I have just finished the sequel to my previous track, "Submerge". Again all Omnisphere, except for the drums. I'd love to know what you think!

 

very great intro.. going to experimental sounds seem into deep dark ambient, and than... boom . what a charge with the drums!! very enjoy thanks for sharing

 

That pulse element sounds like one of those binaural beats for brain tuning. Not slipping any subliminal messages are you?
Not my particular listening style, but I thought it was pretty wild. Liked it--esp the halfway mark.

 

Definetely an enjoyable listen, here's some critic though: that repetetive pulsing wide part remains too dominant for way too long, the drums have less impact than they supposed to, mainly due to mixing, i believe. And i would edit half of that track away, but that's me. Good job either way. Liked the break.

 

Not exactly my style of music but it was an interesting listening.
Thanks for sharing!

 

GENIUS. You seem to have created an all-new sound there mate. And it's accessible. Is that John Lydon from the Sex Pistols all mangled up at 2.18? Get this sent out to labels fast and create more in the same vein.

 

Yeah it's not my style but it makes me want to go to my daw and make some f.....g music ! Great sound (you gotta work on your mix though, a lot of things disappear through your song, it gets foggy), a lot of energy, it's nice.

 

Thanks! The intro follows from the end of part 1: Submerge (below).

 

for listening! Wild is what I was going for, for sure.

 

Thanks for the comments, love to hear them. I tend to make tunes that are a bit too long! For sure, I knew that it was a challenging listen. I had taken the pulsing out at one point, but a weird thing happened, the tune lost its power. Interesting comment about the drums.

 

Thanks for listening and commenting!

 

Wow, thanks for the compliment. Actually the sample is one of the ones from Omnisphere, using the granular engine to isolate a small snippet of a long sample of a man speaking Chinese, and experimenting with the granular trigger function being controlled by an envelope, which is what creates the stutter effect. It's then run through the waveshaper to create grit.

 

Making things foggy was intentional, but that you feel the mix is what's doing that is very interesting. I'll probably look back on this mix in the future and be like "what was I thinking?" Thanks for listening and for the comments!