Bouncing ball effect

Discussion in 'how to make "that" sound' started by platoon, Nov 14, 2019.

  1. platoon

    platoon Newbie

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    Hi all,

    I need help, please: in your opinion, what kind of technique may I use to recreate the "bouncing ball" effect starting at 2:20 of this video?



    Does Colyn simply play with one LFO, two LFOs, or does he use a vst plugin (and, in case, what plugin), please?

    At 2:58 of this other video you can hear another example of what I'm looking for:




    Thanks in advance for every answer, Platoon
     
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  3. No Avenger

    No Avenger Moderator Staff Member

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    This is mainly achieved by modulating the LFO speed.
    In the first example there's an additional delay at the end of each phrase (2:22, 2:30).
     
  4. Baxter

    Baxter Audiosexual

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    It's just a modulated speed/rate on a tremolo. SineLFO on volume/amplitude.
    Two parameters are modulated - LFO speed and amount/range (tremolo dry/wet). There is also modulated/automated send amount to a pingpong delay.
     
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  5. platoon

    platoon Newbie

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    Here I am, sorry for delay... Thank you very much indeed for the anwers, I really appreciate them... I was analizing some plugins in order to duplicate this "bouncing ball" effect: LFO Tool, Cableguys Midishaper & Filtershaper, Ableton Live Auto Filter, and playing with LFO knobs directly on instruments, but I have some difficult to "regularize" increasement (or decreasement) of bouncing sounds (i.e. bouncing without wasting synchronization the bpm)... I'm working hard on it and I hope to find an acceptable solution, then I'll post it here.

    Thanks again for your availability, greetings, Platoon
     
  6. recycle

    recycle Guest

    I didn't know these artists: it's classy sound
     
  7. Slavestate

    Slavestate Platinum Record

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    Download the manual for Make Noise Maths, there's a patch example in the back of it. Just duplicate it in your favorite synth.
     
  8. Gyro Gearloose

    Gyro Gearloose Audiosexual

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    Bouncing Ball, 2013 edition thanx to Pete Speer
    Set CH. 1 Rise full CCW, Fall to 3:00, response to Linear. Set CH. 4 Rise full counter clockwise, Fall to 11:00, response to Linear.
    Patch CH. 1 EOR to CH. 4 Cycle Input, and Ch. 1 variable Output to Ch.4 Fall Input. Patch CH. 4 Output to VCA or LPG control
    Input. Patch a Gate or Trigger source, such as the touch gate from Pressure Points, to CH. 1 Trigger Input for manual start of
    "bounces." Adjust Channel 4 Rise and Fall for variations.
     
  9. Baxter

    Baxter Audiosexual

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    That makes no sense unless you own a Maths module by MakeNoise. :) Good effort though.
    The examples in the OP is just modulated tremolo + delay.
     
    Last edited: Dec 30, 2019
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