My Vote is Marty Supreme's by Oneohtrix Point Never. The film already has an awesome selection of 80's needle drops but Daniel Lopatin manages to brilliantly create a series of complimentary 80's pop inspired instrumentals that are highly emotive and genuinely pretty. I can hear Tangerine Dream, Carlos, late Morricone, Vangelis and Moroder in it, and it sits comfortably with those heavyweights.

Been listening to it for last two days and its making me yearn for melody to return to modern soundtracks.

He was snubbed by the Oscars which is embarrassing, because its probably the most memorable soundtrack of the year, its so good it elevates a pretty messy film.

 

Last edited: Feb 12, 2026 at 11:24 AM

Might not be your cup of tea but production and songwriting took years and you can tell. Song structure alone is mind blowing for modern day pop music. This is the crack equivalent of hooky, melodic music.

 

Heard a few of the tracks over last few months, Technically fun and super polished modern dance pop.

Unfortunately, as a middle aged man I really struggle with the pop song writing K pop explores. They just don't speak to me emotionally at all.

Not that they need my demographic anyway :D

The producers are clearly having fun because its a musical. The switching of elements through the tracks is definitely to be applauded.

I've seen the directors talking about developing the film and definitely admire their persistence and passion. Pretty wholesome story, good work all round. I'm just too old for it :D

 

Jerskin Fendrix's Bugonia

Ludwig Göransson's Sinners

Jonny Greenwood's One Battle After Another

Daniel Lopatin's Marty Supreme

Tomaz Alves Souza Mateus Alves' The Secret Agent

Ryan Holladay–Hays Holladay–Zach Cregger's Weapons

 

Last edited: Feb 12, 2026 at 12:56 PM

Nice! im going to have a listen to Bugonia and Weapons soundtracks today. I remember liking Weapons.