I have a secret for producing such sounds and many more (harmonious and inharmonious) (never will be revealed. never ever ) that I don't think you can produce them even in Avenger.

With this method you will never download any sound pack, loop, etc from AZ.

https://clyp.it/vf1lgcoi

 

Not even @Baxter as the only professional sound designer I know in this forum. But he's a genius, I believe in him.

 

Always interested in Good Sound Design Techniques my friend!

 

I loved ur sounds, foster - as ever. Is ur secret technique to sample the sounds from Prometheus & the latest Alien film? =)

I can honestly say I never have and never will, foster! XD

 

foster i seriously doubt this is yours
you're doing like you did in the other thread

next time be specific thanks

 

you can easily do these sounds with a REAL analog synth . but yes you are right, not with a softsynth, ever.

 

I don't know what the sampling means.

Do you think this is mine or not?
https://clyp.it/l554fgp2

 

nah I was referring to the track I pm'd you
but share more, this stuff is cool, especially this last segment

 

No that was not mine.
OK my friend, most obediently with pleasure.

 

One word: "Reaktor"

 

so , what's the secret

 

Foster.. how many times have i showed you love on your tracks, you gotta let me in on what you've got going on here! PM if you want to keep it secret, I won't tell!!

 

no..

 

Not hard at all. For instance, any digital synth using any random "pad" sound processed through something like Glitchmachines' Fracture or Hysteresis or just use Glitchmachine's Polygon or Scope synths or even any of their Kontakt kits (BioMorph, Microsphere) will accomplish these random digitized sounds...
or using any of a hundred other processors to accomplish randomization or automated randomization...
But if that's what you enjoy to do... well done.

Here's my take:
https://clyp.it/kbxmcmvp

See? Easy...

 

Last edited: Oct 16, 2017

I also remember when I first found freeware synths (with lots of evolving modulating on filters, wavetables, pitch, effects, etc) that did similar to this, MAXmsp patches that blew my mind, Reaktor patches that just needed one note and evolved into amazing soundscapes for hours, etc. I had the same feeling as you.
Remember the first time you tried any H.G Fortune (RIP) VSTi, NI Absynth, xoxos Steam, Atmosphere/Omnisphere, Madrona Labs Aalto, etc? So did I.

"Secrets". You are just seeking attention, like some sort of forum clown.

 

You destroyed my secret. Now I don't have any.So let's make some music.

The reason I opened this thread is to say that music creation is an easy task and no reason to fear or overvalue it.

 

Last edited by a moderator: Oct 16, 2017

thread name "
Are you interested in these sounds?"

I dont have any interest in sounds . "sounds" is just the icing on the cake.
you take a musical structure, a riff and whether or not the "sound" is a piano, a guitar, a sax, a trumpet, a keyboard, a bass guitar, a synth, or a flute, there is hardly any difference in the feeling portrayed ,and the effect on the listener.
whatever sound you choose only has a tiny impact ( unless it just does not mesh at all with the musical structure)
Im not saying the "sounds" is not a fun part of the process at all, it is just the least important part of music .
when it comes to the "sounds"...
just hit buttons and flip through them until you like. whoop tee doo

 

Last edited: Oct 16, 2017

In tuned and harmonic music you're right, but in inharmonious music, most of times the sounds dictate what the final feeling and genre are, so their proper selection matter.

Unfortunately pure instrumentalists do not appreciate the value of exterior sounds. They usually think about the intervals and indulge in their fanciful theories about harnessing 99% of music with intervals.

 

i AGREE.
( BUT I LIKE NOISE GENRE)

SEE FOSTER911

you are in love with 100 year old music nicca.

here is the thing i love it all. tell me why that is not allowed somehow?
you keep saying you either have to like 12 et or love static playing
that you have to love jazz or electro.
this in my experiance is not accurate. i myself love every genre every aspect of music and every time period of music. from the fringe to the mainstream from the simple to the complex. I love music. you want to hate the way music normally works(tonal and modal) , but follow your own rules of what a person can enjoy and have to hate in return? i decline your rulebook of what im supposed to hate because i am a jazz lover. to me it is like a equivalent of racism, but of music types and genres instead of peoples
what would a person lose, that loved every genre throughout history?
what would a person lose by researching and studying the history of music since its origin and finding a way to take the best from all styles and gneres, finding a way to appreciate every aspect? what does that person lose in your mind?

 

Last edited: Oct 16, 2017