both assumptions are right. you can also make plug-ins themselves use multiple cores. it is just really difficult. because of all this...
my fault, too much in my own filterbubble. no, i was trying to explain the relevance of phase: that ramp/cos thing is simply one possible method...
so you are a pyramidoist like others are synesthetes... well, as long as you do not hurt yourself by smashing your head against a wall, any...
i hope so. but when it comes to FM, mine and everyone elses understadning for certain things hits a limit somewhere. the topic "upper sidebands"...
the frequencies of the upper sidebands is always A+B, A+2*B, A+3*B,.... their level is another story. the phenomenon with the carrier beeing...
a "theremin" factory patch from an 80ies analog synth?
i was just thinking about one of the room situations our ears like the most: concert halls. there, the rear really does not matter, these rooms...
you dont "get" 440 Hz (in the sense of "only"), but that is how FM works: if you modulate A with B the first (of many) upper sidebands is (A+B)...
in my sick head there are 3-4 main groups of building blocks and techniques: 1. traditional effects or methods (echo, flanger, FIR filter, poles...
okay, so you are not aware of that (maybe?) requirement. :) not ideal, but good enough. as you say, you can use A/B or dummy head mics and have...
das recht ist immer prima dazu geeignet leute glauben zu machen, dass es dort ein "richtig" und ein "falsch" gibt. tatsächlich kann dir aber...
to compare 2 files, simply compare the content of the two files. if they are identically, they are identically.
das ist durchaus übliche praxis, dass jemand ganz anderes der eigentliche macher von etwas ist. dann erteilt der dem kollegen eine erlaubnis...
ja das ist dann die praxis. das ist dann noch mal was anderes. :) das urheberrecht ist schnell aufgesagt. den markt versteht kein mensch. aber...
it might simply be that the analyzer does not show the levels linear. -24db at an F of 30 Hz sounds a lot (because you know it is a difference of...
you are probably aware that position vs filter depends on the output master, i.e. the user normally needed to create a headphone mix and a stereo...
it is impossible to teach anyone about "mastering" anyway - because of all this internet bullshit. "what´s the best mastering clipper?" "look...
i see what you mean, but then use a bandlimited spike instead of a sweep and for the cost of a bit of spectrum distortion you have what you want...
it is simply the definition of "belief", and as an atheist you basically do the same as religious people do, only agnostics are on the right path....
you can use combs for reflections when you simply combine two to make allpasses of them. for feedback loops not-upsampled tapping buffers should...
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