Before I move on, I am going to stop here and address any questions or concerns about the information covered so far. Any clarrification needed...
Now let's take a look at an example of applying this tool on a jazz standard. [MEDIA]
So we can see the "Triad Pairs" tool is an extension of octave displacement with permutation which we looked at earlier. The only difference is...
The next tool we are going to look at is called " Triad Pairs" To demonstrate this I want you to see a video first. [MEDIA]
What do we notice about that last example where we take the ii chord octave displacement permutate then at the tail end of it add a large...
Let's take a moment to think about the conception of "Octave displacement with permutation" This is a very important concept which once fathomed...
The next tool for creating " spiral" melody, is called " Octave displacement with permutation" Here is how it works. We take C maj7 135 cegb...
It's like if a person dedicates themself to automechanics, they don't HAVE to study the history going all the way back to the first automobile and...
I myself agree, I go back as far as possible from origins of African drumming 20,000 years ago and gradually work my way through history. I...
How to make Melody that moves in a " spiral". What I mean is getting away from a scalular up and down 1 dimensional process and move to a 3d...
Do a little listening to these albums [MEDIA]
[MEDIA] Ignoring some strange ways about the fellows personality and production. Let's take a look a the music aspect presented in this video and...
Building a scale for any chord. Say you have cmaj7 Cegb 1357 You pick wholestep above 135 That be Df#a Then put them in a row C d e f# g a b c...
Take the structure above with the chords and scales and practice building things out of it in different ways using all the things we covered in...
Take the " A" Train. C6 cega. ( Cdef#gabc. IV mode Gmajor D7b5 df#g#c. ( Def#gabcd V of Gmajor Flatten 5th Dmin7 dfac. (...
Please excuse my phone not posting links the way that I want it to lol. Let's take a look at the Jazz standard " Take the "A" train. By the Duke...
[IMG]https://www.google.com/search?q=take+the+a+train+in+c&tbm=isch&ved=2ahUKEwilp8K774HhAhXEK98KHa4eDeEQ2-cCegQIABAC&oq=take+the+a+train+in+c&gs_l...
We are now looking at how we actually create a cadence ( ii V I ) For each chord of our KEY. And that this is NOT considered modulation or leaving...
C major KEY C D E F G A B C 1.CEGB 2.DFAC 3.EGBD 4.FACE 5.GBDF. 6 ACEG 7 BDFA Now to add the cadence to each chord of KEY We simply follow the...
We have covered our first very important musical movement the ii V I , ( called Cadence) We have seen the major ii V I and the relative minor ii V...
Separate names with a comma.
