Geez! You record a female vocalist singing. You will be the one recording her (hopefully, so you can instruct, aid, produce, etc).
You record vocals, cut/copy/paste up and repeat/loop. Then add tremolo, or cuts with different levels or volume automations. The effect is known...
*A high toad
Lol! You mean they must control their bilabial plosives? :) You can use a pencil in front of the mic. But dedicated popfilters are heaven sent.
A ribbon mic, popfilter and a nice tube-driven preamp.
Mp3 conversion adds up to 1.5dBFS of increased peaks depending on the source. Hence why you might need up to 1.5dBFS of headroom before...
I used the free Gravel (dist/bitcrush/sampel-rate crush) and commercial ApQualizr2 (EQ). http://www.taigadsp.com/gravel/ [IMG]
Not perfectly spot on, but I made this really quickly: https://clyp.it/jww3it0n Made the bass in Sylenth1. Sine, and a square an octave below....
You mean any dynamic EQ? *snare-roll -> splash* http://www.tokyodawn.net/tdr-nova/
Well done! Contact Bitwig (Claes Johansson) instead.
There is no "best", as "best" is subjective. There are so many good reverbs and delays. It's usually not what delays and reverbs you use, but how...
1) In Sweden we send in participation-lists to IFPI, stating who does what on a recording. The participants then get revenue from how much that...
What is this thread about?
Is it just too bright, or are the transients to sharp? Or both? De-esser/MB-compressor, dynamic EQ, transient designer, etc. Pro tip.
Bandcamp, Spotify, Itunes, Deezer, Soundcloud, YouTube, CDbaby, Reverbnation, etc etc.
Pretty much just noise and reverb. Yes, sounds like ping-pong delay on those shorter synth stabs. It also seems layered with another bass synth...
Yeah, that type of console is pretty standard. I still own a beat up Soundcraft live mixer and have worked on many of them. Usually 24 channel...
1) white noise and reverb 2) highpassed kicks and other percussion. Some are re-triggered. 2) ping-pong delay
No. You can make awesome mixes at 48kHz, as well as 96kHz (and 192kHz). Good mixing and mastering is not really dependent on SR and BD. It's more...
*zzzzzz...zzzzzzzz.....zzzzzzz*
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