I wrote about creativity and Flow (flow state, Mihály Csíkszentmihályi). I read a few books, studies and other work in that research area. Then I...
So you just want to modulate/automate the delay time on a delay?
All samplers (AFAIK) lets you assign an envelope or LFO to loop length or loop end position. If you modulate the loop length (loop end position),...
The aliasing/foldover isn't there if you work in 96kHz SR. Work in 96k. :) Happy Decapitating! http://www.ryanschwabe.com/blog/96k
It takes longer than one year to become good at mixing. :) Aim for that 10.000+ hours at least. There is more than just the frequency aspect...
*with Are you simply looking for a transient designer? Your posts doesn't make much sense to me. Maybe it's a language thing.
Oh, the irony.
This is funny. I remember Studio One devs/coders were started by people who used to work at Steinberg, just like some devs/coders working on...
Yes, I have experimented with convolution a lot, have created my own IRs, etc. I know shitloads.
It's just a modulated speed/rate on a tremolo. SineLFO on volume/amplitude. Two parameters are modulated - LFO speed and amount/range (tremolo...
No. Only when you downsample. If you record in 48kHz/24bit and export lossless 48kHz/24bit you generally don't need to, since -144dBFS is beyond...
Yeah, use a compressor (variable ratio)...which also has a mixknob. :rofl:Win/win.
Square+Saw. Lowpass filter. Portamento/glide or pitchbend.
The upgrades are not worth it for me, unfortunately. It would have been great if they had just updated it to 10.1. The match EQ and delay things...
Not that I'm aware of. I just roll-off some high-end and layer vinyl crackle/tape noise/hum instead. It's easier and faster. My bacon-, and hiss...
Layering. Add a super-short transient. Highpass, saturate, EQ, etc the transient to taste.
You can produce and mix for loudness too. Not just slap a limiter or a maximizer on the master. The final glue compressor might even just have the...
When I started it was rocket science. Then it became a science. Then fun. After a while it became joyful, a habit and easy. Some say it's still...
FM, wavetable, phase distortion, additive, granular, vector, etc synthesis. Sylenth1 is purely subtractive.
You are on a roll, Samsome! I suggest you tweak knobs and learn sound synthesis.
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