t-racks didn't get a notable update for 10 years now, They already had lost the master chain battle with Izotope ozone 3 and never done anything...
I do that a lot too. But when I do, I track it in 3 times. problem is that 3 mics at almost the same position is surely going to introduce some...
doesn't that induce all kinds of phase issues?
I could not get it too work, deleted it in a rage.:rofl:
I'm really going to do this soon
I forgot too stress that knowledge of proper gain staging can come in quite handy. with all this emulation plugin lurking around it is good too...
well, this is where the theory falls short, fl studio works with 32 bit float. point so what you do inside the box shouldn't really matter. It...
ok that was a bad yoke. but to be real, I would love to hear the dry signal instead of 99% church. Not that it would be bad but I'm pretty sure...
I should point out, that after I bought a 2 octave keyboard, I regretted it big time afterwards. I would go for a bigger keyboard an a Behringer...
lol timbre and tone, you all where there when she recorded it? saturation and melodyne :rofl:
don't know about the hype, but the slate stuff is cool. how I know? I've tested them
exactly what one would expect, and I haven't fully examined this version but it seems to me that the wet dry would fit in better after the volume...
love it, but can anyone explain what is happening with the dry wet knob? I tend to use the daw mix knob. btw. good pricing, 4 bags of weed, local...
indeed, I have a pc full of hip-hop projects with only a 'square' (robo-clicktrack) drumbeat and patterns... (sorry Rhythmatist, sorry Baxter)...
is it set at 100% wet from protools into patchworks till out?? it might be phase related
so, it modifies the sound in neutral position? this should not be the case.... are u using the vst or standalone?
vocals 1 on every bus, drums 1 on the group, next every instrument individual which need it. then one on the master bus think about it as a real...
like this? [IMG]
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