Bitcrusher. Which is really a misleading name. Sample-rate crusher would be better. Edit: He even says bitcrusher at 35:40....
Very much so! You can assign shitloads of LFOs and envelopes to a bunch of parameters and create something very complex out of something simple....
He (Aphex twin/AFX) makes noises, music and funny faces. [IMG]
Richard used modulated "loop end point" (AKA loop length). It's the same as Bouncy's modulated buffer-size (from the endpoint). Try it in your...
That's why I originally suggested modulating the loop end point (loop length).
I lowcut at 20Hz in mastering. :) "808" is just sine usually (originally). No harmonics. It's when you saturate and layer you get...
Layer it with top synth (wavetable maybe). Or use multibanddistortion. I would go with multi-band-distortion. You can also mix in some noise.
I wrote about creativity and Flow (flow state, Mihály Csíkszentmihályi). I read a few books, studies and other work in that research area. Then I...
So you just want to modulate/automate the delay time on a delay?
All samplers (AFAIK) lets you assign an envelope or LFO to loop length or loop end position. If you modulate the loop length (loop end position),...
The aliasing/foldover isn't there if you work in 96kHz SR. Work in 96k. :) Happy Decapitating! http://www.ryanschwabe.com/blog/96k
It takes longer than one year to become good at mixing. :) Aim for that 10.000+ hours at least. There is more than just the frequency aspect...
*with Are you simply looking for a transient designer? Your posts doesn't make much sense to me. Maybe it's a language thing.
Oh, the irony.
This is funny. I remember Studio One devs/coders were started by people who used to work at Steinberg, just like some devs/coders working on...
Yes, I have experimented with convolution a lot, have created my own IRs, etc. I know shitloads.
It's just a modulated speed/rate on a tremolo. SineLFO on volume/amplitude. Two parameters are modulated - LFO speed and amount/range (tremolo...
No. Only when you downsample. If you record in 48kHz/24bit and export lossless 48kHz/24bit you generally don't need to, since -144dBFS is beyond...
Yeah, use a compressor (variable ratio)...which also has a mixknob. :rofl:Win/win.
Square+Saw. Lowpass filter. Portamento/glide or pitchbend.
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