I prefer Audio2MIDI. Then I can use any snyth I want. I can also layer several snyths. Edit: JamOrigin MIDI Guitar 2
As audio does not require that high read/write speeds, you can do with whatever SD or microSD in adapter, basically. I prefer to use Sandisk and...
Seems to be a mixed bag of sounds. Clap is Linndrum.
Sometimes there can be clicks and pops when people in the same building (using the same power) turn on electrical devices, causing a surge. I've...
You don't really need to solo harmonics. The bandpass does that for you (limits the upper and lower cutoff and sets a "center. You then blend that...
I'm talking about RBass, not MaxxBass. MaxxBass paper says this: "To create auditory sensation below the loudspeaker cutoff frequency, f3,...
Fabfilter is the company. Which plugin are you talking about? Pro-Q3? Yes, it has bandpass. Surf EQ? Just load a simple bandpass. There are...
Jeezy F. Christ.
Thank god (I'm an antitheist btw)! My 4+ years of music studies (theory, composition, arrangement, western and freetonal, etc) have paid off. :rofl:
In that order as I wrote. Saturation and bandpass. Saturation brings out harmonics and acts as a compressor. The bandpass controls the harmonics...
A triad is a chord (in any inversion). So yeah, you only need three notes.
I'm late to the game but I'm 97% sure RBass is just a saturation and bandpass filter (in that order) in parallel.
Does Mobius have an endless modulation (rampLFO) to create an endless Risset/Shepard's tone (with filters)? Interesting. I did that "manually"...
Revs/reverses, snare roll, risers, top loops, sub loops...
XLN Audio RC-20. All you need, really.
You want something as flat as possible from the start (your monitors). But all "flat" speakers have their own subtle differences. That's why I...
1) Use the monitors that you are used to and know the best (or learn a new pair all over, which might take years). 2) Use the best converts and...
There are many ways to add both width and depth. Layering narrow/mono sounds with wider (and deeper) sounds is one way, and making room for all...
A good vocalist, good booth, large diaphragm condenser, pop filter, good preamp, good audio interface. Filter, EQ, saturation, compression,...
I've read your OP and this above, and it sounds like you need to mix for loudness instead of mastering for loudness. Forget mastering limiting for...
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