Bass layer: Lowpassed square (single oscillator). Keytrack the lowpass cutoff. Add some chorus. To make it into a "kick sound": Trigger/layer a...
Hahahaha! I needed that laugh today. This is funny on multiple levels. [IMG]
You mean *physical? :rofl:Yes. Tactile. Real.
It's doubletracked or even tripletracked (and counter-panned). Even the harmonies are doubletracked.
As a ME I would advice against EQ-matching. But if you really have to do it, try out TDR SlickEQ M (for broader strokes).
You said it, man - practice! And don't overcompress and distort your tracks/mixes.
Yes. Everything is a remix. There are multiple ways of recreating sounds.
As a mastering engineer I use automation on almost every track/song I recieve. It allows me to have full control of things - from dynamic...
There's not a "one plugin to create width and depth". It comes down to multiple techiques during production and mixing, that all work together to...
Harmonica with volume automation. Or could be a synth. Or anything really. Just re-create with similar harmonics/overtones, reverb, etc.
I like (not love) taking notes and reading them. They help me remember things I would otherwise forget. That's about all I want to write down...
Sounds a little talkbox'y. Try a talkbox. [MEDIA]
OLLO Audio S4X and X1.
It totally depends on the mix, genre, amout of elements, etc. There is no "mix by numbers". Simple gain-staging along with good mixing will...
Yes, 48kHz has a little less foldover/aliasing. I record in 48K and oversample when needed. When mastering I capture (my hybrid chain) at 96k.
Distortion. Pitch bend and/or portamento/glide along with highpass modulation/automation.
It depends.
Jeskola Buzz.
No. Not unless it's very tonal and part of the tonality (808 bass, tuned toms playing a rudiment, etc).
For depth-placement I use pre-fader parallel send to HPF+LPF (naturall roll-off), room reverb (with suiting predelay) and M/S mixer (narrower or...
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