If you've got Waves (just a convenient option, folks) try NLS/HLS with Kramer Tape/J37.
I don't think that's a fair assessment. Why abandon recording techniques/styles/results of the past when they're still viable as an aesthetic...
A lot of getting a '60s/'70s sound is actually RECORDING. In other words, instrument through air, through mic, through pre-amp, through desk and...
If we're following the train of thought that free means freedom instead of free of cost, then I guess. But I think it can be safely assumed they...
If it didn't cost you anything in terms of money or trade in goods/services then it's "free" by any normal usage of the word. If it's not worth...
I've been tempted to purchase one or two of these myself. Being able to put ROMs into Linn is a nice touch.
It was pretty nice and the only real contender to the FL Studio (Fruity Loops at the time) workflow back in the day. It could do different time...
This isn't going to answer your question with one concrete answer, but here's something to think about: 16-bit audio (how we've traditionally...
Hate to endorse any company related to Avid, but... M-Audio Venom might meet your qualifications.
You're just psyching yourself out. Think about it this way: You know how "vocal removal" works? By taking the inverse of one channel and adding...
Life is too short to troubleshoot M-Audio gear. No offense intended; I've owned some myself, but never regretted moving on past the initial sting...
It's almost like people don't know how to search the forum or Google for the exact same question and answers.
Have you looked into using Waves S1 MS Matrix?
I think you're confusing/conflating the fundamental (the pitch of A,C,G#, whatever) with the frequency range of a particular instrument. If you...
I don't need to know how to do it, or the context in which to do it. I was just wondering if anyone had any particularly stellar results with any...
Clearly MIDI quantization can be done on just about any sequencer from '85 on, but audio quantization is a bit more tricky. Newer tools like...
As an aside, it's possible to be on pitch and still be off key. Although people tend to use the terms just to mean that your singing sucks, the...
Try actually miking something.
Look into tight tuned snares without much "snare" and/or rimshots. Then pitch down the sample.
There's such thing as taking a calculated risk, and then there's shooting yourself in the foot. Based solely upon what you've said, I'd suspect...
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