An analog compressor also have transformers, which will color the sound. Even leaving the compressor in bypass colors the sound enough (some even...
Any GSSL (Gyraf SSL clone) is worth it, no matter who built it. I have two. :like: https://www.gyraf.dk/gy_pd/ssl/ssl.htm
ReCyle still works wonders!
Yep. I'm pretty sure it was Rod (RIP) and Michael who worked out the parts together. We studied the song at university (songwriting, bachelor's...
Sidenote: The "-2dBTP for louder material than -14LUFS" is just a tip/guideline (to completely avoid ISP clipping). Not a rule. Not many MEs abide...
In one of Bruce Swedien's (RIP) boxes on the attic. ;) Damn. The last one/harmony was Jacob Collier territory. :)
No, they removed/disabled the limiter of lower loudness material. https://themasteringshow.com/episode-77/
Again, if you have a song with loudness louder than -14LUFS you can just turn down the gain/fader/volume (to reach -14LUFS) and export it. That...
Velocity-controlled filter cutoff -> Autopanning -> delay/reverb could work. Seems pretty straight-forward.
Not to mention overs/Intersample Peaks.
As a mastering engineer I've only added reverb on the master a few times. That's because it needed it (very very little amount) as a...
-14LUFS is an integrated value over time (the whole duration of the song/track). If you actually want -14LUFS (which you generally don't) you can...
Firstly, it's not penalization. It's an incorrect word and has a negative meaning. It's just loudness normalization (volume reduction) so that all...
I get 2003-2005 (or so) flashbacks. It sounds like the sounds back then.
DI box. Record with some headroom. I record on different mono channels, with different plugins and modeling insances on each (if needed). I also...
It's fun to try out and discover new things. I'm all good! Watching Champions League and having a beer.
It's a 70 layer granular voice manipulator effect. It comes with three pounds of butter, teeth whitening and you need to wear a blue silk robe for...
Use a saw oscillator as a starting point. Add a bandpass (keytracked) and increase the resonance a lot. Finetune the cutoff to your liking....
You can get this with FM or a sampler (with a marimba- or vibraphone like sample with a transient and a sine-ish single cycle loop). The second...
Are the notes overlapping or not? Or are they seperated, meaning they will trigger as "new notes"?
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