I record lots of ideas on my phone. Drag those (from my cloud) into my DAW and convert to MIDI via Melodyne or the built-in in Cubase.
RME Babyface FS. Even at the higher cost.
let's back up. How's your room treatment? How's the mix? I find it hard that most EQs are "harsh". Either there are (narrower) resonances in the...
If it's clicks due to fast amplitude changes then yes, you up the attack and release (or add lowpass filter).
Yeah, get them! :wink:
Crap! You are right! I mistook it for another plugin that does the same thing (where 200 is Sides only). My bad.
Yes. Edit: Crap. I mistook the plugin for another plugin. 200% is NOT Sides only. Move along.
0=Mid channel 100=stereo balance (original) 200=Sides channel Edit: Scrap that. I thought of another plugin that plays only Sides at 200%.
Do you mean clicks? iZotope de-click or any de-click tool should work. Or even a lowpass filter.
Spend four minutes reading the article. If you want to know how to make this very simple sound, read it. Then you can create it with any...
https://www.soundonsound.com/techniques/synthesizing-brass-instruments
Experience. Sparse mix. Complementary elements. Learn the basics of gain-staging, subtractive EQ/filtering, subtractive mixing, sample selection,...
the good thing is that you can use a band-splitter and any compressor plugin (of choice) for upward compression in parallel.
Manual loudness normalization is what you want to do? Solution: LUFS meter. gain-staging to your desired LUFS reference and you are done.
Congrats! Yes, it's fun. I remember these good experimental times when I was starting out. Now try run drumloops (modulator) on strings and synths...
Doubletracked and counterpanned drums. Record twice and counterpan the two takes. There are no fancy "spatial" plugins or "effects" here.
You are welcome!
I love AudioZ too! So thankful for it and the members. :mates:
Just plug that guitar (and pedals, guitar amp/pedal modeler like in the video, etc) in and go! [MEDIA] "Eversense" :rofl:
Yeah. Simple fine-tuning/transposing.
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