silence is also 0 Hz. and depending on the context, there is also negative frequencies. but at least he got the nyquist right. :)
almost everyone does it wrong. which is no wonder with all the plug-ins with dither built-in. but it is really basically only useful for making CD...
i am exporting to 32 bit since 20 years, so i couldnt care less. where i use limiters is somewhere else: when recording analog sources, i am...
that discussion gets boring after 25 years, but for reference: you ONLY dither for CD masters (or of you are paranoid, for 24 bit masters)) you...
this is a good example. converting the samples would be about the same process than converting the end result. so you had a good reason to mix in 48.
good point. well, at least 0,000000001 Hz is, that is sure. :) but a continious stream of value 0.0 or -0.33 can als be represented by digital...
@BEAT16: es sind übrigens 0 und nicht 1. :) ansonsten klare leseemfpehlung. [ATTACH]
when you think back at the times of 8 bit resolution, we were able to produce high quality voltage cosines with analog computers, which would...
even programmers often run into math traps when calucalating time or length values because they tend to think of samples as the timeline between...
are you about to question 60 years of sampling theorem? :) a sinewave of 100 Hz, created in or sampled at 192 Khz, has 1920 samples, so that on...
maybe he said "you never need this" but i wanted to be exceptionally friedly this tme.
nope. that law has been changed in 1989. now U.S. copyright is equalized to the rest of world.
2x no ^^
what you did here is to keep the conjunction to laws (=government) in your license contract (that´s what every comment with a works is) as low as...
weird idea. since the different is so small, why use 48? ;) correct. another example: you first create sounds with computer programs, and later...
there are units or softwares where they use different methods for 1:2 which yield to a better result than the ones for arbitrary relations. (96 to...
when i first saw that infintewave site i was lmao about weiss saracon - the quasi standard for mastering studios from 2000 would do some...
in theory, the higher the better, since you never know beforehand which formats you want to master to in the end. so if you need a 44 khz master...
inventing a custom "license model" - or just saying nothing - are the two best license models you can have when sharing software. if you say it...
you mix up the production with the composition. stealing a composition works by knowing the composition and using it. that can easily be done by...
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