3. Open mixer -> hover cursor over the channel's plugin list -> hover over the given instrument -> right click -> a popup window with options will...
2. Open Project Bay (e.g. using Ctrl+B) -> Select the FX tab -> all plugins used in the project (including instruments) will be listed.
1. Open mixer -> click on a given channel's upper area (just like you would add an FX) -> FX Browser opens -> select Instruments folder on the...
I'm not able to answer your question directly. But... I have multiple computers (most of them bought in last two years). In real world, in many...
Always pay attention to SINGLE CORE BENCHMARK.
..but what is your musical genre...?
Yup. I already posted an answer specifically relating to podcasts at the very beginning of this thread. That's why I used the word GUIDELINE....
It has to be said, that - while streaming platforms impose LUFS standards - there is still no loudness standard for CDs. (Yeah, I know - who buys...
You don't ADJUST LUFS, you rather AIM at certain value. Use -14 integrated (for YouTube).
I believe there must be some kind of authorization (e.g. using a unique code that comes with every Montage keyboard). So the software is free, but...
This is free software, not warez. (Donationware, to be exact.) But as you wish: https://vb-audio.com/Matrix/index.htm
Use this: https://vb-audio.com/Matrix/index.htm
Yup, the sound is cold and harsh.
A dozen years ago I was using AKAI ISO libraries converted to Sample Tank or MachFive and added permanently to those plugins libraries. I still...
@curtified What software is needed to make custom models?
Hm... On my 11 year old i5 laptop (which I use for testing) it never exceeds 10% (usually much lower), even when playing polyphonic patches.
I have it. PM me.
A simple sampler comparable to, say, eighties hardware samplers like AKAI S1000 or Roland S-50.
MPC and MPC Beats
I own this synth and I agree with Olymoon: GUI is not practical at all. Especially the filter section is awkward to use. It looks like some CG...
Separate names with a comma.
