So F Lydian is our " major" sound mode. FGABCDEF It is 1 large chord Fmaj13#11 FACEGBD Or broken into 5 small flavors 1.FACE 2.GBDF 3.BDFA...
Modal music is the easiest music language to get under your grip. ( Although it is the most restrictive ) Modal music does not have the tension...
We live in a world now, with no barriers from artist to music fan . Everything is available to get good popular music straight to your demographic...
Not to be mean or anything but labels are obsolete ( unless you create your own) There is no real restriction for you to go as far as you want to...
Let's look at the G major key. G ABCDEF#G This key has 1 # sharp It is just like C major key, Except F becomes F# ( Also center focus is on G...
Part 2 We seen the Key of Cmajor , it's 7 chords broken into 3 functions . Then how those functions make up our cadence ( First chord...
So far we have seen the key of C major And how it's 7 chords work in 3 functions . The 3 functions give movement to music Subdominant dominant...
When we start out learning music language . We start with the chromatic scale C C# D D# E F F# G G# A A# B C Db D Eb E F GB G Ab A Bb B Then we...
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Secrets of the Wholetone scale. We looked at G wholetone G A B C# D# F G We seen how we can make this GBD#FAC# ( Faug over Gaug ) 13#579#11...
Hello my friend, thank you. Yes you got it :) Let's say you are in the KEY of C major . Let's say your structure is Cmaj7/ A7/ Dmin7/ G7/...
Let's zero in on the fabric of music some more. If we look at the G whole tone scale G A B C# D# F G All notes are a whole step apart This is...
If we take key of C major. The Bdim7 chord. BDFG# Expand it's 4 dominant 7th chords. Bb7,C#7,E7,G7 Take G7 our V7 of C6 So you have a Dmin6...
Yes, that is right . There is a hierarchy of. 1.form ex.AABA 2.KEY...ex C major 3.progressions ex Cmaj, Fmaj7,Fmin6,Bb7,C6 4.Chord ex Fmin6 FAbCEb...
Part II ( descending Now we have seen ascending the scale with this pattern 12345431 Now for descending our pattern is 12343216 And here is the...
Secrets of the scales Part I Shape movement . We take C major key break it down to diatonic chords and modes . 1.CEGB.......CDEFGABC...
This is correct, there are several languages.(for 12tone e.t.) Tonal language. Modal language Polytonal language Atonal language. I have focused...
Part IV Actual application . Let's take a common progression of a song in the Key of Cmaj A relative minor ....
Part III Let's take a look at our C Maj cadence. Dmin7,G7,Cmaj Let's say we want to create a specific scale of chords for the G7 dominant . (...
Part ii What about instances with altered dominants? Say key of C major cadence Dmin7,G7alt,C6 We have the scale of chords for Dmin7{ =F6 And...
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