The first person you quoted.
Oh, you know what, I didn't really even read the original post quite carefully enough. Notremid is right on, one of those recorders is probably...
Well, before we go further, what's the budget, and do you think you'll be recording outside much vs. inside?
WTF with the xlr stuff? "I'm not interested in that classic C12 mic, it uses xlr."
As a dedicated voice mic- absolutely! As an instrument or all around mic- not so much
[IMG]
I would submit that a lot of modern music does not involve composition as such. Not that I have any problem with that but it is often a different...
I'm not a big fan of it but I wouldn't say I have a phobia about it. I like to avoid humans whenever possible though.
Oh no no, that's a go at pretty much everyone here :winker::bleh:
Far more important, what sample rate do you record it at
I recorded for years at 44/24 because stuff was going to end up on a CD anyway and even though that's not generally the case anymore I see no...
1500db headroom... a nuclear blast pressure wave is only rated around 250. That's a lot of headroom.
Ah, a Salieri fan :wink:
Very sad. The ABBA sound was like the ELO sound... to be honest I always found them both very thin and didn't personally like it but they're both...
48Ghz
Period, or........ Question mark! "The end...... ?"
Venue fire... good one! Frank Zappa is one of the few people to pull that off.
Well, I'd like to go with a snarky 12-step type answer, but the honest truth for me is that one day it just suddenly all struck me as stupid and...
On vinyl there is no silence. Or am radio.
Eh, it depends... Genesis had the audacity to end a 24 minute epic (Supper's Ready) with a fade and it was quite effective. And they even faded it...
Separate names with a comma.
