Isolate elements and "remix" it (UVR5, lalal, etc). Or use dual mono dynamic EQ and find the clack-frequency in the percussion and do a quick...
Even a free sampler like Vember Shortcircuit 1/2 has eight layers. Unfortunately it doesn't have polarity inverter for every layer.
It was bad in 2002 or something when I tried it. Never touched it since, so I can't really comment on it (if they ever did improvements on it)....
Slowmotion? Do you mean you want a more average/median/inertia reading (average loudness per band), layered with a fast reading (transients)?...
FLUX/Ircam Trax v3, Krotos Reformer 2....
Why anyone would adhere to -14LUFS is beyond me. Upload to whatever loudness it sounds good at and let the platform do the volume normalization....
Your audio interface is 24bit (some are not even 24bit, more like 20) and it clips (both in and out) at 0dB, as it has 144dB dynamic range....
The "funk" is in Charlie. He plays that bassline (Retro 60 in Trilian). I personally like IK Multimedia MODO Bass 2.
I had carpal tunnel syndrome issues/pain and a sore shoulder. Ordered the Logitech Marble Mouse and the issues went away. Still use itto thisday...
I'm not surpriced. Last Future Music magazine I bought was so stuffed with adverts that it made me never want to buy one again.
I don't know Live, but in Cubase I set left/1 and right/2 marker in "mirrored" position, say 2 and then 1. Then I activate loop/cycle and Cubase...
Simple FM, to emulate a square wave. Bandpass around 90-ish Hz. Add some saturation. EQ boost narrow around 300-400 to enhance the honk/boxiness....
Tremolo (sine-wave volume modulation). Modulate/automate the rate. Or...sine LFO assigned to volume (or lowpass filter cutoff). Modulate/automate...
Depends on where you preferably put the lower pitched cymbal (or do you mean "darker"?). :rofl: I'm pretty sure everyone has their own preference....
I've done this for years with my own parallel chain of transient designer, filter/EQ and saturation/distortion (and even a gate/expander in there...
Yes. You are doing it wrong. First, learn simple gain-staging. This is very important to learn. Then create a great mix where you have some...
Commodore 64 days were the best! Great memories. Those loading times taught me to be patient ('til this day).
First of all, the tracks contain distortion and contrasting elements (during production/mixing, that don't overlap/mask too much) which ups the...
Sorry for nitpicking, but I think you mean multitracks and not stems.
This is such a broad question, as there are hundreds of "mixing- and compositional tricks" to create dynamics, contrasts, space, width and depth,...
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