Ha! I will say this once and I hope I don't come across the wrong way. I own PT 11 and I'm more than happy with it. I don't need any PT12 crack...
I stopped following this thread when this got sidetracked and it stopped being about PT versions and stability. I'm taking it back to summarize...
Thank you, guys, for your kind replies. It's 2:00pm and I'm getting ready for sound check in a short while. I really appreciate your taking some...
Among the usual troubleshooting, music show-off, and camaraderie that is the heyday of this place, I wanted to share a personal highlight in my...
Hey Demon, how about some collab? I'd like to dress up some of your drumming with a few bass lines.
I prefer the trackpad over a mouse. On my desktop, I use a Wacom Bamboo digital drawing tablet along with the mouse. I like the more tactile...
Thanks for your replies. Here's my own setup: - Waverider (volume automation) - Acon Equalize (lowcut, mostly cuts, not boosts) - UAD LA2A...
Hi, fellas. You got your nice vocal comp going. Countless hours are into mic placement, warming up the place to grow the mood, pampering the...
Instead of focusing on neutral room acoustics, which is possible but hell expensive, I feel it might be more profitable and a better bang for the...
It should be as neutral as it can be, but once again, a client is not going to peek down your soulder to see if your DAW is calibrated to -3 pan...
I don't think clients will ever care. Rooms, like microphones and pres, have a vibe of their own. Deep-pocket artists and producers will look for...
This is how I usually bus stuff, if it helps: 1. Drums 2. Drums send and bass (for side chaining or maybe compressing them together if needed 3....
Fact: Nearfield monitores DO have room calibration settings, unless your fact is more accurate and truer than the calibration settings for my...
Separate names with a comma.
