Have two envelopes. 1) One that controles the rate (fast to slow) of the saw LFO that controls the volume. 2) Another envelope that controls the...
Set up a microphone, or two if you want stereo. Throw a few forks/knives/spoons (bundled) onto the bed, distort it a bit and filter it to taste...
Vocal sample. Pitched up and pitch-bent. Pretty easy to do in any sampler or granular synth.
Look into dedicated mastering EQs before you go all FFT on that master bus. Check out Manley Massive Passive, Maselec MEA-2, SPL PQ, Pultec, etc....
Nice little free ditty. Wish it had additional control (knob) for width/narrowness, as it by default sound a little boring on the width-side. The...
I'm sorry. I was in a bit of a rush. What VSTi you use is of little importance. What's important is to pick the one you know the best (and stick...
Add a pitch envelope (assign pitch to an envelope). Add some delay. That's the basic foundation (which goes pretty far).
That's actually his own natural tremolo (volume modulation), rather than vibrato (pitch modulation). Characteristic Post Malone. If you want to...
Like a big rectangular room that you build/treat with obsorbers so that it becomes more like a diamond shape (but with unparallel angled...
A circular room is even worse than a square room, and a square room is horrible.
Doesn't sound like it. Swelled cymbals naturally gives the psychoacoustic impression of reverb (harmonic spread and color, reverb-like...
Just transpose and let stretch/tempo follow the transpose. Like you play a sample/snippet of the track on lower keys (in any sampler).
Some samplers (even free ones like Shortcircuit 1 and 2) can have random LFO (re-triggered Sn'H LFO) assigned to velocity, which will randomize...
There are cymbal swell/crescendo sample packs. (That's not a hihat, but rather a crash cymbal swell). Look into "ThatSound - Organic".
Ofc! Neve pres sound great driven hot (and compensated by lowered output). Same goes for some output transformers that sound great (by running the...
I do healthy gain-staging (at all stages) and set each fader as low as it needs to go (basically, the more sounds/elements/channels I have in a...
You are right. I was listening at first on really low volume. It has more harmonic content, correct. But it's quite easy to recreate still.
Sine (any synth). Fast arp. Delay. Edit: Wrong by me. It has more harmonics in the oscillator.
Just send it to me so I can mix it. :rofl:
This is called "learning healthy gain-staging" and ought to be the first thing one learns. You have to pull them down further in order to not clip...
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