The way our 3 functions work is like a gradient. Tonic is very still with the diatonic chords , as you move to the non diatonic chords is gains...
Let's look at a master chart of All the specific chords in each function for a key . Major Key I ii iii IV V vi vii I Tonic function chords in...
In Tonal music language ( any music in a Key ) The deepest level of meaning are the Functions. There are 3 functions ( groups which all chords...
Hi my friend, Its nice to speak with you . The 7 types of distinct and unique chord as shown in the o.p. is independent of which type of...
A little bonus for fun lol ( G aug as G7 ) G aug to C maj G To G B to C D# to E G aug as B7 G aug to E major G to G# B to B D# to E...
Hello my friend, Sure :) Let's first look at how all 12 notes work in a [ V7 / I ] in the key of C major ( using voice leading ) [ V7 /...
Plus , I also really enjoy yourself and everything that you bring into the conversation
Its pretty amazing realization that all of the 7 Unique and distinct types of chord are contained in EACH function of a key ! Let's look at the...
Hi my friend , Augmented chord is a subset of the dominant chord . ( so it doesn't count as a unique distinct chord .) It falls underneath the...
Hi , how are you doing ? Thanks for the conversation. Could you write out some of what you mean by that ? Thanks my friend .
There are 7 unique and distinct types of chord that each have their own identity . ( for each of the 12 notes ) . If we begin with the note C ....
What do you mean it doesn't work like that ? ( curious) If the song is 120bpm And you are playing normal time . To go into a half time section you...
Let's say your tempo Is 120 bpm If you compose a 60bpm guitar part It will accomplish what you are wondering .
Every rhythmic contour is possible for any instrument. You can have any instrument " layer " Half or double ( 2 multiplier ) There is also...
I think of that as " Timbre " To do with harmonic overtones. You can for example , take A , F# note in the 1st octave and build up harmonic...
One last thing . We chose particular [ Chord Voicings] For a reason . C6 is Cmajor or it is Aminor Bdim7 is G7 or it is E7 What does this...
Finally , we are going to take our [ G7 / Cmajor ] And look at how we can simply move it in order to Get the next Closest key center ( F...
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