I get your point. But people won't go back to CDs and they use Spotify for convenience. Every corporation is funding wars in some way. Even when...
That's clever :) But on a serious note. Do you care about True Peak Limiting? Do you submit your tracks in 16 bit / 44.1 kHz or higher?
Yeah, I understand that it's still the part of the standard. But they do have these options also: Apple Music Lossless (24-bit/48kHz) Hi-Res...
Thank you. I guess those are for OS X only. Any alternatives for Windows?
Do you aslo export in 16 bit / 44.1 kHz with dithering like lxfsn?
So you think comparing OGGs is pointless? i mean if they turn out to have even slightest differences in dbtp level, it would mean that Spotify is...
Wow, thank you! That sounds like a plan :) But can you explain why not use 24 bits and 48 kHz? 16 bit/44.1 kHz + dithering seems like a CD...
Makes sense. So they do analyze true peaks. And if they are able to turn -3dbtp to -1dbtp, then they are also able to turn +3dbtp to -1dbtp if...
Ok, thank you So none of the streaming services or even distributors are going to analyze true peaks before posting my release to the store. Is...
Ok, I get that recommendation. That's basically the same what Spotify says (minus 1-2 dbtp) But can anyone explain what's going to happen if I...
My LUFS is indeed identical between those formats, you're right You say that I don't need to care, because Spotify normalizes to -14 LUFS (or to...
Hello. I am a little bit confused about all the streaming formats, loudness standards and true peak stuff 1. I am producing relatively loud and...
My thinking: 1. H.265 source -> export from Resolve in H.265 (or any other playout codec) -> Youtube VP9 conversion looks like 320 kbps MP3 ->...
I just can't understand how youtube transcoding from playout codec like H.265 can give the same result as transcoding from Avid DNxHR HQX (even...
Exactly. They used to let us choose between compressed H.264 or H.265. Now only H.265 But I guess most consumers don't even know what it is and...
Very useful article. Thank you! Initially I thought you were talking about using Pro Res or DNxHD only with proxies, but now you make it clear...
When I'm exporting with those settings and comparing two Mediainfo files (source and rendered), I get this: - Codec ID changes from "mp41 (mp41)"...
Yes, I actually used Mediainfo to generate the txt file I've posted few messages above. I'll attach it again just in case. If only Resolve was...
Thanks. I'll give it a shot. Interesting that smaller indie programs can do such obvious things and popular "giants" have a hard time with it...
I am using a full version of Resolve and I don't have any problems with footage like the guys in that video or Blackmagic forum. HEVC (H.265) in...
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