You had me at "psychedelic era." I listen to everything, but I grew up on my parents rocking 60s/70s stuff. I found the compilation on Bandcamp...
I didn't want to bring this into the conversation because, like Loudness/dB/LUFS, it didn't seem on-topic with the OP. Absolutely a well-conveyed...
Seriously? Everything looks simple and quick when someone knows their tools.That said, it's three knob/slider twists and an automation line on...
It's a decent bet that Shinyzen nailed it. It's just auto-tune with a delay automated to hit at the end, and *may be shifted, but that can be...
Indeed. And remember, no master is complete without a thick hall reverb strictly relegated to your sub-bass frequencies. :disco:
I wouldn't have validated Barncore's snide remark there, but he's technically correct, there's no special "converting" going on, just different...
There's no "best" frequency, it's a judgement call on per-track basis. I haven't seen anyone go outside the bounds of 60Hz/400Hz-ish as far as...
... is there a real question here? Because the obvious answers to what seems to be rhetorical questions are, No and Yes. But those answers don't...
It's disheartening—and telling—that many people don't recognize that the end-game 5–10% is just as important as the first 90–95%. :suicide:
Jay Mumford (J-Zone) & Pablo Martin havin a funky good time. :chilling: [MEDIA]
Everything by Mastering.com is solid, and they have other more technical videos about mixing and mastering, but this is valuable advice, no matter...
I know a guy who's doing some repair work and polishing up this TEAC A-2340SX right now. He mentioned that he's probably going to end up selling...
I dig Chow tape, it sounds excellent... I rarely use it cuz the continuous sliders cripple me. Seriously, I'll sit there and twiddle variables for...
Yeah, I might've been kinda lite on descriptions/examples. I'm accustomed to talking audio in-person, all this typing isn't really my bag, so many...
Maybe? I just do me. I got into mixing after years of playing, which wasn't a huge leap as I'd run live sound for people, and done some small-time...
Haha, my general take on music is that damn-near anything is appropriate in the right context. e.g., I wouldn't normally use Magnetite on an...
I don't know... anything really. It's just a matter of what you're aiming for. I often find a snare or a EP patch with crazy effects or some other...
Straight? I've run into a lot of people who like Fuse Audio in general, but complain that Flywheel "doesn't really do anything unless you crank it...
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