Yeah, I think that's the case. There's a long thread on GS where his assistant joined and answered over many pages, think I'm on page 100, thread that keeps on giving anytime I dive in.

 

Interesting. I got it about 10 years ago for Nebula 3. Can't find it on the website now...
I have an 15ips and a 30ips variant, so definitely tape.
The files are named ALEXB_ANM-44_15S0(to 2) and ALEXB_ANM-44_30S0(to 2)

edit:
oh its that thing... its an emulation of an emulation. now that is interesting
https://www.anamodaudio.com/products/anamod-ats-1/
It emulates different tape machines by a mode selector. I guess thats why the zip was called B77.
Kudos to that AnaMod company. That 19" unit is magic to me.

 

Last edited: Apr 29, 2026 at 5:48 PM

Im working on a project and have been for a couple of years. I don't buy the "i cant work them into my workflow." It takes zero effort to test something out and if you like it, use it. I put the alexb 4k consoles in every session on my mixbus and on most of my actual tracks. the 4k g comp in every session. My actual vocal chain irl, its a telefunken tf51 > 737 > distressor but then i put either the timp P teletronix LA2A or the CL1B as compression. I was completely blown away by the difference from these and the others(even though i still love UAD).... but I simply always go to these first. its not like having to work yourself up to run 5 miles. the knobs arent clunky. the extra 2 seconds it takes to load an instance doesnt slow anything down. and freezing tracks obvs saves CPU(i run on 96k). i dont see the big deal.