Vinyl is making a comeback in the streaming age

Discussion in 'Lounge' started by PulseWave, Feb 9, 2026 at 9:22 AM.

  1. Crinklebumps

    Crinklebumps Audiosexual

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    Do you intend to use bluetooth to connect with the Sonos? If so I hope you realise that you're defeating the purpose of using vinyl because the signal will be digitised in a terribly lossy way, it will lose all the warm analogue sound that people want from vinyl.
     
  2. PulseWave

    PulseWave Audiosexual

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    2026-01-23_113748.jpg
     
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  3. Gre89

    Gre89 Member

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    Yeah, it's just basic physics you're trying to contradict.
     
  4. orbitbooster

    orbitbooster Audiosexual

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  5. Dzar

    Dzar Member

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    Guys, guys, vynil? What are y'all talking about?
    Don't y'all listen to music in 64bit float 384khz?
    That's the only way to clearly appreciate Yoko Ono's pitch-perfect voice!
     
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  6. PulseWave

    PulseWave Audiosexual

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    2026-02-03_164448.jpg
    @Dzar, here are the DAW values from Cakewalk - SONAR X2 = 64-bit float / 384kHz.
    Almost all my MP3s are in 44kHz and 256 kbps! What device are you using to listen?
     
    Last edited: Feb 11, 2026 at 10:30 AM
  7. Xupito

    Xupito Audiosexual

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    Been there, done that. Don't remember much about the music, I was too busy laughing my ass off
    So true, those were the days. Amazing coasters too :wink:
    Damn, I was going to make the same joke :rofl:. We're gonna get along, great winter signing for the forum :wink:
     
  8. Sarastro

    Sarastro Member

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    Hi everyone,
    my Merging and RME ADDA converters can handle a maximum of DSD256 and DSD512 – that's 11.3 MHz and 22.5 MHz respectively at 1 bit, or 768 kHz at 32 bits in PCM mode. That's pretty much the maximum currently possible.

    And now the mystery: High-quality pressed vinyl records, played on a Rega P10 turntable with an Aphelion cartridge, sound DIFFERENT, and I'd say, subjectively, better.
    Listening was done on special custom-made monitors from Klangbau Richter, designed for classical music productions.

    My comparison subjects:

    Number 1 – Bruckner Symphonies, a Deutsche Grammophonic recording with Karajan and the Berlin Philharmonic in the 1950s on 8-track 1-inch master tape. There are different versions of these master tapes available for listening – the records that were pressed directly back then; CDs from the 90s, Hi-Res streaming on Qobuz, and a recent pure analog remake by DG, recorded entirely analog with tube equipment and newly cut masters on high-quality vinyl (www.the-original-source.com) from the Emil Berliner Studios in Berlin.

    Dramatic difference: In a comparison between CD/Hi-Res streaming and the original source vinyl, the digital formats sound flat and nowhere near as spacious as the vinyl record.
    The dynamic range isn't significantly different, but the spatial resolution and projection are.

    Number 2 - Satchmo plays King Oliver, original recording in MS with a Telefunken 251 on an Ampex 350 tape machine, released in 1960. Digitized versions are available on CD and Hi-Res streaming; and a pure analog remake by Analogue Productions on LP at 45 rpm.

    Similar experience: The analog remake LP sounds significantly more spacious and direct than the digitized versions. Amazing.

    Result of my listening experiences: I just bought a Fostex 1/2" stereo 30ips master tape machine so I can record my classical music recordings to analog tape alongside the DSD256 merging, for a direct comparison. It'll definitely be interesting...

    Have any of you ever done such direct analog-digital comparisons in practice and have any experience with them? I'd be very interested to hear about it...

    Peter.
     
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  9. PulseWave

    PulseWave Audiosexual

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    We have several specialist magazines here, naturally funded by the industry and heavily advertised, specifically for audiophiles and people with too much money. Some people don't know what to do with their money, and their hobby is listening to music, so they own the most expensive equipment.

    They themselves are more like listeners, consumers, than musicians. Then they discuss in their forums which cables sound better and other myths. Great, the industry is happy with their money, and these people also secure some jobs.
     
  10. Sarastro

    Sarastro Member

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    I am a musician (opera singer) AND a consumer. ;)

    But my current question as a recording classical musician is: Does digitization result in a loss of information?

    Is it better to record on analog media in principle – since you can then distribute your recordings both digitally via streaming and completely analogously via vinyl?
     
  11. Lieglein

    Lieglein Audiosexual

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    No.
    Only the other way around results in a loss or at least a manipulation of information.

    It is fine to say "subjectively better". It is not fine to say "objectively better".
     
    Last edited: Feb 11, 2026 at 7:19 PM
  12. ItsFine

    ItsFine Audiosexual

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    This is an endless subject ...

    vinyl limitations :
    Less dynamic, less bandwidth, more noise, surface scratches and dust, lower longevity ... and more.

    There is a loss on vinyl FROM digital, not the opposite.
    Whatever snake oil sellers want you to believe.

    To give you an idea, get a FLAC/APE/WAV song AND get the same song sampled from vinyl to FLAC APE WAV.
    You will clearly hear the "vinyl" effect. And hear the loss is on the vinyl side, not the opposite.
     
  13. PulseWave

    PulseWave Audiosexual

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  14. Sarastro

    Sarastro Member

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    Okay – that's YOUR experience.
    I just described my different experience...
    My musician's ear perceives a loss in both directions – analog storage reduces the signal-to-noise ratio, digitization reduces the spatial imaging.
    Both are audible to me.
    Of course, this is subjective.
    Technical specifications are objective.
    But listening to music is always subjective.
    I'm still interested in your personal opinions on the subject...
     
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  15. Sarastro

    Sarastro Member

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    Hi PulseWave,
    for recording and playback, I use ADDA converters from Merging/Neumann (Anubis and Hapi with DSD) and RME (Fireface UFX+/ADI2Pro FS) – these are standard in the classical music field – with Schoeps, AEA, and Brauner microphones, mostly in the Decca tree; and preamps from Fearn and Thermionic Culture. These are relatively high-quality devices, so that shouldn't be a problem.

    However, I think I can subjectively perceive a loss in sound quality due to the digitization process – specifically in the spatial imaging.

    That's why I'm asking about your experiences and opinions on this... I haven't yet been able to make any purely analog recordings myself. But I plan to... and that's why I'm also looking for an 8-track 1-inch tape machine.
     
  16. Crinklebumps

    Crinklebumps Audiosexual

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    Objectively yes, it does, by the very nature of what it is doing, essentially taking rapid snap shots, the sampling rate, which cannot capture 100%. It's like these youtube slow down videos you see stating something like '5,000 frames a second!' with the suggestion that this is in some way more information than an analogue capture when really it's just slicing the data in increments of 5,000 a second.

    Subjectively it's basically outside of human ability to distinguish any difference.
     
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  17. Haze

    Haze Rock Star

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    You forgot to mention your £$€40,000 audiophile cables that have far superior electron transmission and restore all the missing transients and frequencies lost during the recording process due to the regular cables that all actual audio engineers use...
     
  18. Sarastro

    Sarastro Member

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    :rofl:

    No – I only use special microphone cables for recording – Sommer Cable Carbokab with Neutrik EMC connectors – because they effectively prevent interference from sources like mobile phone noise into the low-level microphone signal. Have you ever experienced such interference? That's why the newer Schoeps CMC6 connectors also have built-in EMC protection...
     
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  19. Sarastro

    Sarastro Member

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    Yes – and that's exactly the mystery I'm currently trying to solve.
    Where do the differences I'm hearing come from?
    That's why I'm asking around here to see what your experiences are...

    And – it seems – no one else has had similar experiences so far.

    The general consensus seems to be: Digital recording and editing doesn't result in any loss. Interesting.
     
  20. PulseWave

    PulseWave Audiosexual

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    Hi @Sarastro, I see that you already have excellent equipment. If you are more comfortable with analog, simply continue pursuing your goal and be happy with the exciting sound journey you are currently on.

    (German Source): Vergleich Analog / Digital - Wahrheiten und Mythen
    https://www.vinyl-fan.de/ratgeber/2393959_vergleich-analog-digital-wahrheiten-und-mythen

    (English Translator) Analog/Digital Comparison - Truths and Myths
    https://www-vinyl--fan-de.translate...l=auto&_x_tr_tl=en&_x_tr_hl=de&_x_tr_pto=wapp
     
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