Oh really? Thank you for the swift reply. On my z5500 and HyperCloud2, it sounds better now than then.
Not sure what I'm doing wrong, anything specific you could start me off with?

 

A: "best something online!"
B: *ignores information*

 

I have a normal Edifier stereo system with boxes. Please set it up without a game headset.

 

Last edited: Oct 15, 2021

Still sounds terrible, Coldplay playing at the moment, totally off center and f*cked up stereo image.

PC speakers and a gaming headset as reference to teach mixing and mastering engineers all around the world how to automatically improve all of their work with a chain of "effects" that produce overprocessed audio with destroyed stereo image and phase shifting? Sorry, thats simply nonsense.

 

I do listen, sometimes I don't understand the conclusions of other posters, without relevant info of their listening system.
My dream is 1 Speaker, 1 APO ;)

 

Sure, I tried on my Sennheisers now, and it sounded better than before.

 

It's off center since I'm recording DTS in analog, where the right channel is always a bit louder.
I also routed into Nuendo 11 to get AnyMix Pro, which I still use, but I decreased ambience.

 

i was only referring to the original post and its headline.

if somebody is talking about the "best" of something, i dont read the rest.

same goes for questions about the best something.

 

I totally understand that, and I'ma try to respect that fact. The point of the sound of the station is to provide a new listening experience, despite song or genre. Thanks to you guys it's been improved, a lot. I'm still rolling with musical baby-ears, and I'm aware of that as well. Now I feel like I can't improve much more in terms of plugins and automation.

 

The sense of all things should be to broadcast the artist's music or the CD from the recording studio as authentically as possible, leave the experiments and trust the expertise of the sound engineers from the studios, i.e. where the music was recorded.

 

I understand where you come from, but then I'm just another radio station. If you wanna hear what DTS X with DTS and a high upsampling sounds like, with speaker correction and some atmosphere added -> www.ö.fm

 

Ah - now the lights are going on. Now I understand you.
You change the reality and the effect of the music.
So you take your "artistic freedom" and change existing music.

I wish you good luck.

 

which speaker do you wanna "correct"? my? BEAT16's? your speakers? Lube Bag's Neumanns??? emanresu, please think twice, what do you want to achive. when you "optimize" for crap speakers & cans, the people with better systems have a not-so-nice sound too. call it mis-corrected for their full-range systems. is that what you wanna want? that nobody is able to hear, what the studio's mastering engineer intended? sure? imho your goal is honest, but youve got a little error in your plan. do you think, youre better than gazillions of mastering specialists? think twice, please. its my honest opinion.

 

Indeed, thank you! I wish the musicians would take a listen to my take and be like "Ah, that also works."

 

My work is built upon their work, why would I discredit them?
Shitty mix can't be saved by much...

Anyway with "Speaker Correction" I try to undo cabinet vibrations and such.
And it f*cking works! If you listen closely there's no *skorrande*.

 

If you'd know anything about physics and acoustics, you'd know this is nonsense. As is the whole attempt of this "mangle all audio with various surround en-/decoding effects" process.

Again, nonsense.

 

Why all the hate?
Listen to the stream then listen to the original song,
wear headphones that usually rumble. It's gone. TADA! MAGIC JUST 4 U.

I call them the "DTS legs". Very prominent for DTS. Now you know.
I'm glad I could educate you today.

 

No hate at all, just facts. I listened to your stream several times and it always sounded either overprocessed, boomy, hyped, out of phase, off-center and so on. It didn't improve anything at all, at any time.

 

Thank you. To me - it's a whole new experience.
I just fixed so that vocals are more prominent again.
BTW, did you listen to the much diminished "rumble"?
At least, that's pretty much gone

 

If you experience "vocals being not prominent enough" or "rumble" in general, with any kind of source material, it indicates a problem with your monitoring situation, not with the mixes and masters thousands of musicians, mixing and mastering enigineers have produced.

You can't fix a problem thats different in every bad listening environment with just one "magic effects chain".