Definitely good to commit parts to print, yeah.
And automation, depending on how many points are drawn in, all mounts up to give the cpu more work, so I always love to bounce.
I think even if I had my dream computer I'd still work this way.

Oh okay. I'll try and look into it.

 

What I was trying to say, a lot has changed since the analog era, things are simpler in the digital domain but i'm just an old-school guy I think. sorry.

 

Again, sounds really interesting! lol. Especially in bold!
I can't imagine how I've missed all this at age 48 with 30 years of career behind me!

 

zz. you didn't missed anything. I just don't understand when you say "I'll look into it" but really, there's nothing to look at, you probably know about all of them already. I saw the list of artists you've been working with.

 

Last edited: Apr 10, 2021

Oh! Cool. Yeah, I might update that in a minute! Remembered a few more.
Yes, mostly worked with, but the thread title was about who you have met in the industry.
So some of them are just friends that came from work, some were live work, some were writing work with some recording, and some were from when I was training on the road as a monitor engineer. When my dad died I tried leaving playing alone and just went into live sound for a few years.
Some I met through others purely on social grounds, but we're all musicians.
And the only reason that happens is if one is able to get on with people easily.
Which flies in the face of what some think of me here! lol.
Playing is important, but often secondary to band chemistry and dynamics.

Yeah, sorry for my sarcasm! I was just having a laugh with you.
I am starting to remember why sarcasm is called the lowest form of wit!
I guess it is if people don't get it! Hardly wit at all. lol.

 

tbh i get the sarcasm, it is just i suddenly remember my mom taught me to be nice to old people ;P im only 16 here

 

I wish you had left out the "I'm 16" just to see if I laughed or not! You can trust I do have a sense of humour!

 

I have my meters averaging around -18dbfs. When bouncing to mp3, I use Fabfilter limiter on the master with usually +15 to +18db gain, shaving off a dB or two at -1db true peak (usually snare hits).