Music Theory Distilled

Discussion in 'Education' started by rootwits, Jul 14, 2019.

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  1. No problem my friend. Nothing upsets me. Nothing. I really admire your knowledge and invite everybody in this forum to appreciate its value instead of confronting you angirily. :winker::bow::mates:
     
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  2. SceleJohn

    SceleJohn Producer

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    I was joking dude
     
  3. Jake Newell

    Jake Newell Noisemaker

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    MMJ2017 says that a C Major chord is incomplete and ambiguous until you add a B. But then isn't this same configuration of notes also E Minor 9? So which is more ambiguous? The one that is definitely a C Major or the one that can be two chords?
     
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  4. Music theory is vague in its nature. Whatever you say, another person is found and says another thing.:unsure:
     
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  5. MMJ2017

    MMJ2017 Audiosexual

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    Thanks my friend I like what your doing also always did.
     
  6. The only distinct thing about theory is bounding to traditions. Music theory guidelines are working in their related traditions and are not globally true in all traditions.

    Traditions are in direct connection to the history and the musical practices in every period. In the later periods they are violated or disregarded totally.
     
    Last edited by a moderator: Jul 18, 2019
  7. MMJ2017

    MMJ2017 Audiosexual

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    So think of it as this
    Levels of detail
    From ambiguous. To specific

    F
    FC
    FAC
    FACE
    FACEG
    FACEGB
    FACEGBD
    Each note added to a chord creates another dimension of detail ( brand new original sound)


    So say you have CEG
    Is it Amin7 ? ACEG
    Is it Fmaj9? FACEG
    Is C dominant 7? CEGA#
    Is it Cmaj7 CEGB
    You see each one of those chords are more specific there is a specific way to use them. A place in the progression they fit
    A certain amount of tension or relaxation
    And they each have their own scale to play over the chord .
    However if you have CEG by itself it's not enough to say
    Let's say you have these chords back to back
    CEG going to GBD
    What are they?
    What scales go with them?
    Is it
    CEGB.....GBDF#
    IV............I ( key Gmaj?
    Is it?
    Not enough to say
    Or is it
    CEGA.....GBDF
    I...............V...key of C major

    There are several keys which have the same 3 note TRIADS
    It's not enough to say what scales go with it which key which function

    TRIADS are a playing technique
    Not a description of music language

    So it depends what you are focusing on .

    The way music itself works
    Vs
    Something to play in a moment of time

    You use both these but ...
    One without the other goes nowhere :(


    For instance when I use the word "chord"
    I'm thinking of the structure of music itself " how it works"
    This is why
    You have category's

    Subdominant
    Dominant
    Tonic

    It's how much motion is happening
    ( Think a movie still calm scene vs action scene)
    But would you consider a movie
    Say a guy sits on bench reads newspaper the end
    Your like " wtf nothing happened "

    This is having no story
    In music that means using tonic home relaxed only
    So in key of C major there are 3 tonics
    1.CEGB. Cmaj7
    3.EGBD. Emin7
    5.ACEG Amin7

    These mean same thing 3flavors of stillness
    ( But no story yet)
    Your character is there but no plot.

    Now next you have dominant tension movement
    This is directly connected to your tonic
    So for 1.CEGB the dominant us 5.G7 GBDF
    Very tense your going somewhere
    V to I
    Gbdf to CEGB
    Lots of motion to relaxed.

    However it's kind weird to just begin with all that action and not slowly get into the action .
    This leads to
    Subdominant
    This is some motion some tension
    So now you have 2.Dmin7 DFAC
    And put together

    2.DFAC........ 5.GBDF...... ...CEGB
    Lil tension.....very tense.....relaxed

    Subdominant to dominant to tonic

    Tonic is the character
    Dominant is the great battle
    Subdominant is plot taking off

    Now you have 7 chords in C major

    1.Cmaj7 CEGB tonic
    2.Dmin7 DFAC. Subdom
    3.Emin7 EGBD tonic
    4.Fmaj7 FACE. Subdom
    5.G7..GBDF. Dominant
    6.Amin7..ACEG..tonic
    7.Bmin7b5 BDFA. Dominant


    3 tonics swappable flavors
    2 subdom swappable flavors
    2 dominant swap flavors

    It gives you enough to mix things up by have couple options forvthe 3 categories.

    Keep in mind when you see say
    2Dmin7 DFAC

    That's what all instruments add up to be
    You don't have to play it all one instrument
    You can have bass play D have synth play FA have pads play C

    The 2.Dmin7DFAC is description of music itself
    What you play is up to you
    You can have 4 instruments play 1 note a peice
    And space the notes far it will still accomplish
    That subdominant effect listener
    Or you can squeeze all notes close together on guitar and get a jazz sound
    Or play one note after another as melody
    Instance

    Low to high ( melody voice

    F C D A

    That still
    2.Dmin7DFAC

    So the playing part way different than the music structure part .
     
    Last edited: Jul 18, 2019
  8. Jake Newell

    Jake Newell Noisemaker

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    How do you play an FACEGBD on a six string guitar with five fingers?
     
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  9. MMJ2017

    MMJ2017 Audiosexual

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    Great question

    EI---------7---------I
    BI---------8---------I
    GI---------9---------I
    DI---------7---------I
    AI---------8---------I
    EI--------------------I

    FAEGB


    First finger bars dgbe strings 7th fret
    Middle finger plays low 8th fret
    Pinky plays 9th fret g string
    Ring finger plays 8th fret B string


    You remove the 5th ( won't change sound)
    And remove the 13th ( won't change sound)
    The 5th and 13th missing won't matter much in that case.
    ( Other instruments like voice can hit those 2 )
     
  10. Jake Newell

    Jake Newell Noisemaker

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    Mutated Devin Townsend's special chord?
     
  11. MMJ2017

    MMJ2017 Audiosexual

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    He uses it actually lol

    Keep in mind the music structure
    ( How music works )
    And things you play
    Are two different things

    4.FACEGBD

    Is the music structure ( language)
    You can break that up for playing have 7 instruments playing one of the notes
    It represent what ALL instruments add up to be

    But like you asked IF you have just guitar by itself no other layers that is way still do it

    Example
    Structure
    4.FACEGBD

    Bass plays
    F F F C F F F A
    Guitar left side
    AEC AEC AEC AEC
    Guitar right side
    GBE GBE GBE GBE
    Vocals
    A A A F A A A C
    Strings
    High
    D D F A D D C A

    So the secret is
    What all instruments aDD up in the ears nicca.
     
    Last edited: Jul 19, 2019
  12. Jake Newell

    Jake Newell Noisemaker

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    So what's the root note? If I was adding bass to this what note would anchor it? Okay. You answered too quickly. Got it.
     
  13. Jake Newell

    Jake Newell Noisemaker

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    Do you think Devin Townsend makes interesting music? Like, for a Canadian? Lol.
     
  14. MMJ2017

    MMJ2017 Audiosexual

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    Not bad for a white guy right? ;)
    See if this answers ya
     
  15. Jake Newell

    Jake Newell Noisemaker

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    God! His pedal board makes better music than me.
     
  16. MMJ2017

    MMJ2017 Audiosexual

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    So here is an example of all the instruments adding up to represent the structure.
    You LL have to excuse that it's jazz if you don't like jazz but as a demonstration it's easy to get what's happening that's why and the song structure is basic .




    Few versions all using structure below

    Here is the music structure
    A section
    _____
    C6 C6 C6 C6 D7#11 D7#11 D7#11 D7#11
    Dmin7 Dmin7 G7 G7 Dmin7 G7
    B section
    ____
    Fmaj7 8 bars
    D7 4 bars Dmin7Dmin7 G7 G7b9

    Here the scales each chord
    1.C6...CEGA....Cmajor CDEFGAB


    2.D7#11 DF#ACG# ( Lydian dominant
    DEF#G#ABC

    3.Dmin7 ..DFAC...D..Dorian.DEFGABC

    4.G7..GBDF....G Lydian dominant
    GABC#DEFG

    5.FMaj7....FACE...Flydian.
    FGABCDEF

    6.D7...DF#AC....D Lydian dominant
    DEF#G#ABC

    That gives you the structure of the chords , chord progression a b sections then scales for each chord.
    Then you can hear people do different things with it.

    If you don't care for jazz just remember you can do any style with same principles.

    I'll also answer any questions about it.
     
    Last edited: Jul 19, 2019
  17. Jake Newell

    Jake Newell Noisemaker

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    I'll come back to this subject of jazz. Cant honestly say it's ever been a part of my life. I grew up listening to the music my Dad played and I'd love your thoughts on this track. Stick with it to the end. It goes through some very interesting changes in time signatures and tempos. I know it isn't jazz rock, but it's not just "rock" either.

     
  18. MMJ2017

    MMJ2017 Audiosexual

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    When you start learning basics of music theory it can feel to some like some strict restrictions with a couple options .
    But when you get more into the advanced end of it you find out there really no restrictions just descriptions .
    And a million options all times .
    You start being able use it like your spoken language take the concept
    And fluently express yourself unlimited .
    Imagine saying one idea with one sentence everyday boo
    We can take a concept say " store"
    And say million sentences
    " I'm going to store "
    " Wanna go buy shoes?"
    So.many options .
    Music theory same way
    The beginner level restrictions are a teaching tool
    Like " only use major scale for chords in that key"
    It's to get you basic understanding then your ready after to see the scales for each chord
    Then after that chord substitutions
    ( Several chords diff flavors but used for same function all with own unique scales )
    As time goes on you get to where you can play in real time what years ago before study may taken you 6 months to compose it's a journey for music lovers but you can get fluent in music .
    I wanna help everyone do that for free too.
     
  19. Jake Newell

    Jake Newell Noisemaker

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    So you "like" the song, but have nothing else to say? I wanted your analysis, please.
     
  20. sir jack spratsky

    sir jack spratsky Producer

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    well done MMJ...... totally mkes sense
    and congrats for showing the correct way to contribute to a thread...with good manners and goodwill...excellent work friend
     
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