Hello there,




This is a completely reworked version of a previous track I’ve uploaded. In some ways, I’ve tried to follow some of the feedback received on here, although since for me music making is a sort of Rube Goldberg device, as a friend once wisely pointed out, I think the result differs substantially from the first attempt.

If you feel that this newer thing deserves some listening&feedback, please I would be very happy to hear from you.




https://audiosex.pro/threads/the-coat_vintange_opinions_please.44117/#post-394885

 

Last edited by a moderator: Jun 15, 2019

It's great and demonstrates your dexterity in announcing your frightening presence to listeners.

 

Last edited by a moderator: Jun 15, 2019

You got a lot going on, all of the time.

What about silence? Or if not actual silence, the feel of silence... Thinking about this in your future tracks could be the big breakthrough, if you start to see how silence (or lack of movement, drones, hangs) is more important than the notes around it.

Even 180bpm breakcore records have tension and release because the human brain is feeble and can't take it when a lot is going on all of the time.

 

The problem with DAW-music mentality is that it's users don't have familiarity with what you said. In my humble opinion, today's DAWs are not good tools for music composition. They're great platforms for audio manipulation but not good at all to support the users in making great music.

Years of education before embarking on making music is vital but who feels the need for education.

This piece shows what I'm trying to say. Who can make sth like that? Unfortunately most of us have not been educated. Even on AZ you can't find professional video tutorials to teach making professional music. Books are great but no one can translate them into music:

https://clyp.it/sxuk0awa

Only a few educational systems in the world teach that that just some of us can access them.

 

Last edited by a moderator: Jun 15, 2019

Disagree, no correlation!

 

Soundwise it's an improvement.

Yes, there's a lot going on, almost always, but since I'm used to listen to some weird stuff I don't really mind and I think there is an audience for overly active tracks like this one.

 

I understand perfectly your point. As I said before I experiment with a sort of Rube Goldberg device on my DAW.




Next time perhaps I will be able to incorporate expressive silence.

Thanks for your feedback.If I bother to ask, it is because I really need feedback, otherwise one is completely lost into the flow or personal ways.
My ambition is not to make good music, it's just to fill my time with cumbersome audio- workflows while releasing emotional stuff, but still I want to give to this output the most decent finishing I might be able to produce.

 

But be aware of the level.

Only

leads to

 

Mission accomplished.