I'm thinking to upgrade in to Tascam US 2x2...I like lexicon too but one of outputs I think its a little weak..and some knobs don't work fine

 

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Last edited by a moderator: Mar 16, 2019

krakdhaus and tempohouse

specializing the very best of 'vintage digital'

 

Last edited: Apr 18, 2022

My guitar player has the Tascam, but I've never used it. I'd expect the pre's to be ok.I went for a MOTU HD192. 12 in, 12 out. But I'm recording live drums so needed the inputs. Also, I had recently gotten a 24 track board so I could use those preamps with the MOTU.

 

 

Last edited: Mar 17, 2019

We don't see nothing on your post,you must upload your photos on a web host site and then paste your link on the image logo when you write your comment here.

 

Not so much a "studio" proper as a Beat Cave perhaps, equipped with a mix of old and contemporary recording gear (twin ADATs and a plugins-crammed Pro Tools PC) this byroom-turned-Juke Joint besides guitars + 7 amps accommodates a grand piano and a 1985 Roland model 5600 electric piano. All recording and mixing is usually done in mono by me. Not always, depends. I use Quad ESL57's for general playback, but have a mono Sennheiser studio monitor (from roughly 1972) in an adjacent room for neutrality reference, at the pre-mastering as well as mastering stages. Dubbing vocals, if not done using comfortable David Clark headsets, is also possible in front of the mono monitor and a directional microphone facing away from it. A considerable amount of "spillback" from the audio playback onto the new vocal track is inevitable this way but -after companding - in practice this returns a rather "Live"-like, or ambient, feel about otherwise well-controllable tracking, which pays off in the mix. I (or we, more often than not) make guitar-based pop/rock/ballads.

 

It's more like a setup than a studio. So I should share my photo in this topic.

 

Nice studios here.

 

Yep

 

Yip, cosign, nice gear, not the average „...do it for fun“- appeal!
Only record i know from Down Under that could fit to your setup would be the Snakadaktal Debut,very compressed sounding but a good one!

 

A great classic method from the valve (= tube) era, quite preventing the rather sterile hyper-insulation of cans-monitored dubbing.

 

yeah i thouhgt it would come later ..but this issue ahh oopz

 

May not seem like much but this bad boy packs power.

Also, don't mind my terrible monitor placement I'm in the works of getting a better studio desk and since I'm not doing too much mixing/mastering right now I'm leaving it how it is...

Interface - Presonus AudioBox iOne
Monitors - Presonus Eris 4.5 or some shit...
Keyboard - Korg Microkey 2

 

We have the same keyboard,except mine is 61 keys.What do you think of this Akai Advance?Personnally I liked the keys and its big knobs at the beginning but now,after some months it's all what I hate;some keys have a spring sound,you have to press like a brute for the Aftertouch and its big knobs are too big,when you are writing an automation you can't -or with difficulty- go from 0 values to 127 values because they are too big between your fingers.And I don't talk about it's stupid VIP software,I have used it 2 times maybe.

I'm disappointed not to have bought the Native Instrument one instead.

 

Whatup with that cyberpunk logo?
I remember reading neuromancer & shadowrun books