34ms
55ms
89ms
144ms
233ms
377ms
610ms
987ms
any combination or all of these sound great together. it somehow surrounds instead of overpower the original signal. It's sort of a reverb with delays

It's an 8 minute noodle opus at various points I'm adding or subtracting single repeats of delay. I had a hair brain idea to try sending the delays to Valhala Shimmer in the middle.

 

Sounds Great )

It sure seems the delay times are exponential

 

remember, Reverb is just a collection of (quiet) delays. You're basically making your own reverb here.

 

Still, it's interesting that exponential delay times fit well.

 

it's the Fibonacci numbers.
I should add 8, 13, 21, and some higher ones too

 

Interestingen, In Will try these.
But does it not corelate too the tempo?

 

I learned new thing today!
Thank you dragonhill,

 

As long as each number isn't a multiple of the rest u won't get combing artefacts.

I think good reverbs use prime number-based delays to avoid combing.

ED: just realized, u may still get combing w/prime no.s, but the prime use is to avoid acidentally reinforcing/duplicating taps

 

Last edited: Sep 20, 2017

Revers have diffusion and damp

 

Fibonacci numbers:

http://jsbin.com/zuhilazaje/edit?js,console


It would be interesting to use a start value which is analog to the actual tempo of the song huh

 

Damn, I think I get it now... but they don't need to be from the Fibonacci series, just primes, right?

A IR based reverb is literally like a multi-purpose delay.

 

an convolution engine not just takes time information but also the spectrum into Its calculations.

But using a IR to create delays might be a bit 'stiff', since you would need time synced IR's if you like to keep things in sync to the song temp

 

I agree. It's just that for reverbs is easier to understand convolution in time domain like a "multi-delay", or "multi-averager".
And when used for eq you can picture it better in the frequency domain. At least the magnitude, phase is a nasty difficult thing...

 

You can multiply the numbers by 1.618 (golden ratio)

 

just set your delays according to the tempo of the song and you are ready to go if they are not synced you will get in trouble

 

@Grandy Dotted 8th notes? Edge has been there and we have all done that.

It's the out of 'sync trouble' that gives these ms combos, magical healing powers. It's also a time machine. Makes you want to noodle for hours forgetting the concept of time.

In Ableton I usually have all the delays assigned to an exp. pedal to control when I want all or just some of them. Send a sustained note to the max but then quickly decrease for faster passages.

 

ratios of your tempo, beats and bar , you can use 2 delays one is triplets one is quaters

 

thats one hell of a bad ass sounding guitar!

 

Thanks.