So big and huge on stereo any tips guys ? thank you

 

Buy any synth. Fiddle with synth. Profit?

Srsly, Nexus, Synthmaster (esp), Diva, Omnisphere (even) has plucks-like-that a-plenty.

 

I feel like nexus got a plastic quality

 

Best 2 stay away from romplers if u don't like their sound, but Nexus seemed like its whole purpose was plucking standard sounds. Or standard plucking sounds. Or sumthn. It might mean fiddling around with (a similar preset?) in the others I mentioned, then? Depends how much time u got 2 spare...

 

I use massive i guess it's more than enough

 

Plucky ADSR (0 attack, short decay, 0 sustain) for all the filters for all the layers (because is not a single sound).
You must find the waveforms in Massive.
Then you have another set of techniques to make the sound wide - totally not pluck sound design related.

 

Can you please tell me where is the right place for this topic

 

Check this: https://audiosex.pro/threads/achieving-stereo-width-on-percussion.26269/#post-206750

 

Thank you, sorry about that; at least i hope you enjoyed the video :D

 

NP, I didn't wanted to sound condescending, just wanted to point our the different stages in making a sound. Now days all the electronic music is made of layered sounds followed by effects - you will need to be able to identify what is what in the future when trying to recreate other sounds. Also is good to know what to expect from a layered sound before the effects are applied.

 

So it's trial and error

 

Spire got some real nice sounds in it

 

That video clip looks like it was filmed for red blue 3d glasses

 

Yeah it looks cool, i like it

 

Give it a fast attack, fast but not dramatic decay, moderate release, slight filter envelope to accentuate the pluck. Introduce unison and +1 octaves, pan em around to make it wide. Run through a colour box like Redline Preamp, SDRR, or Decapitator (whatever works for you). I'd dial in a relatively high amount of saturation and then pull back the mix knob to find a good balance. EQ using MS to accentuate the highs in the sides and keep the mid clean sitting with other instruments, then compress with a moderate attack time and short release time. Finally, add a good large reverb with a moderate decay. If you're unhappy with the width, experiment with something like Stereo Savage placed near the beginning of the FX chain, though I reckon it'd work best after the saturation stage.

Hope this helps. It's tough to offer good advice off the top of my head, so consider it only a rough guideline. Experimentation will get you there!

 

My man, i like the idea of Stereo Savage