HI FOR ALL IAM WELMIXPRO AND THIS IS My FIRST POST HERE Is There Difference Between Bounces Kinds??!!!
I Try This By My Self Using Protools 12.4 Trying 2 Methods
Generate A Tone And Bounce It 4 Times ?
1-Bounce ONLINE INTERNAL MACBOOK PRO CARD
2-Bounce Offline INTERNAL MACBOOK PRO CARD
AND THEN IMPORT THEM INTO PROTOOLS AGAIN AND INVERT THE PHASE USING AVID EQ 3 AND THE SOUND GONEEE OFFLINE = ONLINE
3-Bounce ONLINE INTERNAL AVID MBOX 3
4- Bounce Offline INTERNAL AVID MBOX 3
AND THEN IMPORT THEM INTO PROTOOLS AGAIN AND INVERT THE PHASE USING AVID EQ 3 AND THE SOUND GONEEE OFFLINE = ONLINE
THE POINT THAT SHOCKKKKKKKKKing ME AND CHANGE MY MIND I TRY TO INVERT THE PHASE FOR THE FOUR BOUNCES AND THEY ARE ALLLLLL THE SAMEEEEE
ALSO TRY TO RECORD USING THE BUSS METHOD AND ALLLL THE SAME WHEN I INVERT ANY CHANEL THE SOUND GONEEEEEE
AND I TRY ALL THE SAME IN A SONG AND THE RESULT IS EQUAL NOOO Difference ATTT ALLL
My question Is Bounce On any Card Is The Same (INTERNAL card = Mbox=UAD=PROTOOLS HD CARD=Appoge=?? ???????
Trying Same Method On Another DAW WHich is Harrison Mixbus 3 And GoT The Same Results ALL The Same And Compare MIXBUS FILES WITH PROTOOLS FILES AND ALL THE SAME !!!!!

 

Last edited: Dec 28, 2015

superballs bounce higher.

 

I try the Standrd 44 100 16 and 44100 24 and this is the most common on music

 

Not a PT user myself, but I think the point is that some audio interfaces use DSP, so if you render using those devices then you can render the audio more quickly than native (CPU only) processing.

Edit: Also, the difference between online and offline should only apply to automation accuracy, which I believe can become slightly out-of-spec during non-realtime renders.

Realtime renders are more appropriate when using external gear (external MIDI devices, external signal processing, etc.) as you clearly can't speed up that process.

If it's all in-the-box then choose the quickest option possible.

Again, not a PT user, so take that for what it's worth.

 

Caps;dr

 

I Think All the Daw Are the Same idea

 

Internal bounce doesn't even need a card, it's all on your CPU, if a plugin supports offline and real-time bounce.
Pro tools developers took extra care to ensure that real-time and offline bounce is the same, other daws can exhibit some difference, because of shitty non-complaint worked-around vst plugins, that's why pro tools has its own format, to avoid idiotic developers making workarounds upon workarounds instead of meeting specified format requirements. .

 

Last edited: Dec 27, 2015