Smashing pumpkins Zero wobbling synth sound

Discussion in 'how to make "that" sound' started by anthony doyle, May 5, 2026 at 4:44 PM.

  1. anthony doyle

    anthony doyle Kapellmeister

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    Anyone know how to create this sound ? it is used to transition between one part of the song to the other and features a rising synth sound. The sound has a lot of vibrato on it and then delay at the end of it from 1:19 to 1:26 in the video below.

    The Smashing Pumpkins - Zero (Official Music Video)

    A preset that has the sound in a popular plugin would be appreciated or details on how to create it.
     
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  3. jennyblack

    jennyblack Audiosexual

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    That is a guitar. And a fucking crazy one.

    Big fan here.

    PS: seems he used a harmonizer or whammy (pitch fxs, by eventide or digitech).
     
    Last edited: May 5, 2026 at 5:40 PM
  4. stopped

    stopped Rock Star

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    I think its just multitracked but something like Electro Harmonix Micro Synth might be a good call as well
     
  5. sisyphus

    sisyphus Audiosexual

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    That is guitar, run through a ton, from electroharmonix micro synth, eventide h3x00 series, other pedals/amps/chicanary etc... produced and recorded by Flood (with Billy) and mixed by Alan Moulder.

    No preset.
     
  6. bluerover

    bluerover Audiosexual

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    ^^ Yeah...that's def gonna be a tough one.
     
  7. Slavestate

    Slavestate Rock Star

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    Yep, Billy has the most ridiculous collection of pedals and gear and 99% of everything on those first three records is some sort of guitar or a sample of a guitar (which Butch Vig broke out during Siamese Dream to help layer the 20000 guitar tracks Billy needed). I don't believe they started using synths at all until the next record, but there was mellotron on Siamese and Mellon Collie (ie: the strings in Tonight Tonight).
     
  8. shinyzen

    shinyzen Audiosexual

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    From an interview with Billy, referring to digitech whammy -

    .....there is a bunch of Whammy on the record. James uses a Whammy for his solo in "Zero."

    That solo happens later in the song, but is very close sonically. A compressor pedal is important here, to keep the notes sustained and present. Fuzz, Octave or Fifth, LPF to filter the top end making it overall smoother, tremolo. Double or triple tracked.

    I would do something like this

    Comp → Fuzz → Harmonizer/Whammy → LPF/EQ → Modulation → Delay → Reverb

    Comp to sustain the guitar into the fuzz, into pitch which will sound more synth like due to the fuzz before it, LPF to shave off the highs, making it even more synthy. From there you can experiment with modulation, phaser, tremolo, whaterver!

    Try picking lightly, giving the guitar even more of a synth tone. The reverb at the end of the section sort of reminds me of the EMS VCS3 Spring Reverb.

    absolutely insane record btw. I just listened to the whole album recently, as there was an anniversary release. Just so good.
     
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