Abbey Road vs Motown Sound

Discussion in 'Music' started by cappin kurt, Apr 20, 2026 at 3:28 PM.

?

Which recording studio would you choose back in 60s/70s?

  1. Abbey Road

    7 vote(s)
    46.7%
  2. Hitsville USA

    8 vote(s)
    53.3%
  1. cappin kurt

    cappin kurt Ultrasonic

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    I was watching a a video on YouTube about the Beatles and I didn’t know that they wanted to record in Hitsville USA? That would changed the entire sound.



    The Biggest Differences You’d Hear



    1. The Rhythm Section (this is the soul of it)

    At Hitsville, they would’ve been backed by The Funk Brothers.


    Instead of that tight but slightly stiff early Beatles rhythm, you’d get:


    • Deep pocket bass (think James Jamerson style walking lines)
    • Drums that lean back instead of push forward
    • A groove that feels like it’s breathing, not marching


    Songs like “I Want to Hold Your Hand” would suddenly swing more.




    2. Bass Would Become the Lead Voice

    Paul McCartney was already melodic—but Motown would’ve pushed him even further.


    Imagine:


    • More syncopation
    • Busier, rolling basslines
    • Less root-note anchoring, more storytelling


    He probably would’ve evolved faster into that later “Something” / “Come Together” style—but earlier.




    3. Vocals: More Gospel, More Call-and-Response

    Motown would’ve leaned into:


    • Call-and-response between John Lennon and Paul McCartney
    • Background harmonies arranged like a choir
    • Slightly grittier, more emotive delivery


    Think less polished British pop, more church-rooted soul.




    4. Tambourines, Claps, and Tambourine-as-a-Weapon

    Motown percussion was relentless:


    • Tambourine hitting on the backbeat
    • Handclaps layered in
    • Subtle shaker textures


    Early Beatles tracks would’ve had more movement—more body.




    5. Arrangement Tightness vs Experimentation

    Motown was like a machine:


    • Short, punchy songs
    • Clear structure
    • Hit-focused production


    Whereas Abbey Road eventually gave them space to become… The Beatles we know—experimental, psychedelic, boundary-breaking.


    At Hitsville, you might not get “A Day in the Life”.


    But you might get the tightest, grooviest pop-soul catalog ever made.





    The Trade-Off



    • Abbey Road Beatles → Innovation, psychedelia, studio-as-instrument
    • Hitsville Beatles → Groove, feel, emotional immediacy, radio dominance


    You’d probably lose some of the wild experimentation…

    …but gain something deeply embodied—music that lives in your hips instead of just your head.



    If The Beatles had recorded at Hitsville U.S.A. early on, they might’ve become:


    • Less “rock revolutionaries”
    • More “soul-pop perfectionists”


    And honestly… they might’ve rivaled Motown on its own turf.


    What do you think?
     
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  3. PulseWave

    PulseWave Audiosexual

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    Listen very carefully, yes you, John Lennon just turned in his grave!

    It's a pretty silly game to pass the time, a "what if" scenario! How about some reality, the actual world out there?
     
  4. cappin kurt

    cappin kurt Ultrasonic

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    Because now I want to hear there songs in the style of Motown now some Marvin and Paul singing about sweet lovin :rofl:
     
  5. PulseWave

    PulseWave Audiosexual

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    Yes, your idea is quite good, and now all that's missing is a band to make it happen.
    As you know, if you put $10,000 to $1,000,000 on the table, you'll get a band that does what you envision.

    The Fab Four - Beatles Tribute Full Concert

    Filmed at the Starlight Bowl in Burbank, CA - July 11 2015.
     
  6. Lois Lane

    Lois Lane Audiosexual

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    If it was 1969 I'd record at Abby Road Studios, and if I was 6'8" I'd be playing at Madison Square Garden as forward for the NY Knicks in the NBA.
     
  7. kags

    kags Ultrasonic

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    to me Motown, sonically is more enjoyable
     
  8. BudSpencer

    BudSpencer Platinum Record

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    Your GPT-generated "thought exercise" forgot something: The Beatles as we know were much more a product of the interplay between their influences (which already included the Motown sound), the guidance and arrangements of George Martin and the technical acumen of plenty of engineers at EMI Studios than a product of their "recording place".

    Also, if the Beatles were to be signed to a "hit and singles-only oriented" music label, they would quite probably just become (or remain) a rock band full of white guys emulating african american music (and there were already plenty of those, lost in the tides of history)

    We would have lost much, much more than gained from such a change.
     
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