Is it a built-in function in some DAW?
I had an idea to script something like that in Reaper, sort of an Oblique Strategie - creativity booster like: "finish the track with just this random synth" or "just use a random effect from category"

 

The kong has arrived

 

"Chinese warez" has always been a real thing. They may have IP laws, but they do not even pretend to enforce them; and that is for physical items. They do not show up ever, or rarely; because just like you and other poster already mentioned, people are skeptical, or "paranoid" meaning security conscious and not about to install some really good malware. You're talking about stuff from behind The Great Firewall, not $200 Rolex copies in New York Chinatown or Shure SM7b's from eBay.

 

The interesting thing is if those warez can be verified and pass on to distributions outside of China, it would be quite a great breakthrough for a lot of libraries behind Spitfire's proprietary stuff with their own Player, yet they were never really given away and was just passed on as word-of-mouth to others and never explain anything else on how they even got to turn it into warez in the first place.

 

There are probably lots of people who are aware of it. If you do not care about intellectual property, are stuck using VPN for nearly anything at all and you are talking about big downloads; I think black market options might be pretty attractive. It's hard to imagine a shortage of crackers in a country with 1.5 billion population, that is often recipient of export controls. Lots of software gets caught up by that which is completely harmless, such as audio plugins. If there is demand, supply usually follows.

Spoiler

A lot of totally harmless software ends up caught in the net.

Export controls are often applied broadly, and companies tend to over-comply to avoid legal risk. For example, if a piece of software contains any encryption, even something basic like SSL or password hashing, it can technically fall under the EAR Category 5, Part 2 (Information Security) rules.

So a company might decide it’s safer to just block all downloads or sales to China (and a few other regions) rather than go through the export classification or licensing process. Sometimes it’s not even about the technology—it’s just legal or logistical caution, or an automatic block based on region.

You’ll see this a lot with audio plugins, developer tools, and even video game engines—nothing military or strategic about them, but still restricted under a blanket export policy.

 

A M4L device for use in ableton. Called VisualBrowser by Elisabeth Homeland

 

I don't doubt that at all, but for the situation of BBC SO, it is essentially one of the big flagship products after SSO's revival along with Abbey Road bundles, and for size-to-quality comparison, SSO might be a good overall pick for ~340GB (and it's already cracked for Kontakt), but seeing how BBC SO Discovery alone gathered so much attention and favor from the free users (and it's only about 200MB), I do struggle to think that Pro wouldn't be in demand (or heck, even Core would be a major pickems for 27 GB of quality stuff without the excessive mic positions).

That is quite a bit of demand as far as I can see, yet neither made warez appearances since their release, which is weird to say the least.

 

try searching what you need in duckduckgo but limit result to china or use https://www.baidu.com/ search engine

Spoiler: >

I just checked, and it seems to be there. I can’t vouch for it completely, though, since I don’t want to go through almost 600 GB of data.
As always with these Chinese sites, they usually offer VIP access for a fee. You’ll also need a WeChat account or a cloud storage account (like 163.com or something like that dont remember the name), although some don’t require payment.
I used to get past the installation of these Chinese programs using Sandboxie, not to get some kind of malware but that was a long time ago. I don’t even remember what rare thing I needed back then. So, nothing is impossible.

And, of course, you’ll need some kind of translator extension if you don’t know Chinese

 

Last edited: Nov 4, 2025 at 3:37 AM

I have no idea where the Nexus 3 VR release having come from China became known to be the source of it. But I would gather that was probably a little harder to [k] than a Spitfire orchestral library. Or even easy to get all the libraries for.

Maybe I am missing the point of your question, or maybe I am not. Are you suggesting that "demand" has anything to do with what is shared?

It seems like "demanding" stuff is a sure fire way to not end up with it.

 

Went through mostly everything, there's only one open active link to an archive for BBC SO Pro soundbank (does have roughly 600 GB), which wouldn't work properly if there isn't a licensed version of the GUI Player to load in, so that's a dead end. Another one locked behind a premium wall, and the rest are also short-term dead ends on deprecated forum posts sadly. Was a good try though.

 

Oh no, I don't mean "demand" as people want it NOW, more of "there's a lot more interest for that product over the years", especially when Spitfire's starting to stuff in more of their more prestige libraries into their own Player ecosystem. As for a decent library, SSO serves its purpose well, albeit being quite heavy for my storage budget. Being patient enough will always bear fruit, so I'm not in such a rush

 

I'm from China, but I didn't understand what you were referring to. Please tell me the specific name of the plugin you need, and I'll search for it to check.

 

I want to address a point regarding people who say you shouldn’t be biased toward any plugin company.

This statement is not about why R2R didn’t crack UAD plugins or why they prefer one piano plugin over another.

I think these individuals, up until now, have never heard the sound of the hardware version of the API 2500 in a proper studio environment with standard monitoring or at the very least through good studio headphones. They haven’t experienced the output, warmth, and especially the punch that it imparts to the signal. Now, which company has managed to achieve a plugin emulation that comes close to the API 2500 hardware?

Has anyone ever compared these two: UAD API 2500 and Waves API 2500, with identical settings to the hardware version, to see which one is closer to the real hardware? Or are we just engaging in trivial trolling of others?

Let me share the results of my repeated tests and hours of experiments: companies other than UAD all apply something different to the signal; they can’t even replicate the original behavior.

I’m not claiming UAD is the best, but at least in the world of numerous major plugin emulation companies, Universal Audio achieves the closest and most accurate hardware emulation.

Or take, for example, the Empirical Labs EL8 Distressor with its aggressive operational modes, harmonic coloration, saturation, and extremely precise dynamic control. Which company has managed to emulate it most accurately? UAD, as even the original creator, Dave Derr of Empirical Labs, acknowledges.

So far, has anyone compared these two against each other, or against other companies like Kiive, Slate Digital, or Softube?

Or consider the legendary Fairchild 670 still in use today, 70 years after its creation. Which company has managed to produce the most precise emulation of this classic hardware?

All these companies strive to emulate hardware that was built 50 years ago, still using the same design principles. Among them, only UAD has consistently achieved the highest fidelity and closest emulation.

Please, grow up by engaging in childish trolling and mocking, you only diminish your own credibility

 

True enough about the links but a little discussion about China and audio software is as close to on topic as this 60 page thread has gotten so far, no? I guessed the last time this company was the Kong about to Gong, but then it was seemingly taken to mean Sequoia.

Kong Audio
"We’re a Chinese audio technology company. We started making virtual musical instruments from 2005.
Our headquarter was founded by Mr. Dongsheng Shan in Shantou, Guangdong. Our R&D center is currently based in Shenzhen, Guangdong, led by a team of passionate professional audio developers."

They even have lots of stuff you can buy for the Pokemons or whatever that meant. And some of these expansions are definitely "not cheap".

 

A few small gongs earlier today Thanks R2R
Nomad Factory Retro EQs Bundle v2.3.1 Incl Patched and Keygen-R2R
Nomad Factory Magnetics Bundle v3.1.1 Incl Patched and Keygen-R2R
Nomad Factory Liquid Bundle v3.0.1 Incl Patched and Keygen-R2R
Nomad Factory British Bundle v2.1.1 Incl Patched and Keygen-R2R
Nomad Factory Analog Mastering Tools v2.1.1 Incl Patched and Keygen-R2R
Nomad Factory 80s Spaces v2.5.1 Incl Patched and Keygen-R2R
Kong Audio Qin Engine v3.1.5 Incl Patched and Keygen-R2R
Tracktion Software Collective v2.0.2 Incl Patched and Keygen-R2R
Tracktion Software Collective 2 Factory Content V1-R2R

 

Edit:
About Kong..
They are specialized for chinese instruments, not many company around

 

not even close. get real ffs...

 

This is the only one that fits their riddle. All of the others in that list are things they might release on any given day. It probably adds a layer of additional difficulty just by being from there. Consider all the notes you couldn't read, all the characters different from your own. Hard enough installing a wifi card you buy off Temu.

 

*GONG BEGINS TO RESONATE*