essential synths to must have in studio

Discussion in 'Synthesizers' started by Kate Middleton, Apr 21, 2025 at 2:53 PM.

  1. Lois Lane

    Lois Lane Audiosexual

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    Perhaps to redefine the thrust of the thread..."Essential for your own personal sound signature at time present". That's how I read it.

    Picasso had his blue period after all.
     
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  2. clone

    clone Audiosexual

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    I read it as " what 3 synths do you think you would cover the most ground with", since you can only have 3. To me, that is an analog for bass and other sounds you want from an analog. A big workstation for all the bread and butter stuff and 88 keys, and a VA for more character specific digital leads and so on.

    You are working around a set amount of space and money with hardware. For software, to get down to only three, most users would have to remove stuff from the DAW they use.
     
  3. Magic Max

    Magic Max Platinum Record

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    My wife went through a blue period for a while. Note: Don't drink food dye.
    I have over 12 hardware Synths in my studio from my first mid 70's Minimoog which is currently doing nothing. Alongside many others. Why? Because syncing them all up to any DAW eliminates spontenaity. Of course you are free to find inspiration in hardware Synths if that offers something that plugins don't,but having begun my trip in early 1990, external hardware makes you feel good (and it's great to jam) but ITB makes your ideas flow music faster.
    If I said a Minimoog and a Jupiter 8 and an early model Emulator were essential, do you think there's going to be a discernible difference from the dozens of plugins on the market? You're chasing a dream that will cost you a fortune and while you will love turning the knobs and sliders, nobody else will hear the difference nor will they care.
     
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  4. Balisani

    Balisani Kapellmeister

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    Those are workstations, not synths.
     
  5. Balisani

    Balisani Kapellmeister

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    That's a relative no brainer for me, but for many "only 3" would cause a major headache (I include myself in the bunch).

    It's a relative no brainer because you're going to want to cover your hardware analog bases and those are:
    Some people might decry the lack of a Roland classic (or two) and I would join them in said decrying, but the prices...

    Some might bemoan the omission of an FM or Wavetable synthesizer - not me. Plenty of VSTis can cover those bases now, as well if not better than the originals, but nothing beats a Moog, a Sequential, an Oberheim, or (I'll say it) an 1980s Roland hardware synthesizer.
     
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  6. Balisani

    Balisani Kapellmeister

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    You're sure about that 5-6K, mate?
     
  7. timer

    timer Producer

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    While there are lots of plugin clones of analog hardware, no one has managed to build a K2000 or ASR10 plugin yet.

    Just saying…
     
  8. shinyzen

    shinyzen Audiosexual

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    My most used are

    Hardware:

    juno 106. Actually its an HS-60, but thats lesser known so i just say 106, as the 60 is a 106 with built in speakers.
    circuit bent casio sk-1
    circuit bent casio sa-2

    VST:

    Serum 2
    Pigments
    Falcon

    There are plenty of other worthy contenders. Prophet 5, many of the new Behringer rip-offs, hydrasynth, andromeda, some moog stuff, and of course 8 billion vst's. Mainly U-HE and G-force stuff, but many others worth having.
     
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  9. Lois Lane

    Lois Lane Audiosexual

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    The Blue Man Group still does quite well after many years by not choosing the red dye, let not your wife squander the opportunity. Joni Mitchell also found Blue to be a veritable cash cow.

    I don't synch my hardware to my DAW but rather play the parts in my songs, damn the torpedoes. The hardware, the few times that I've done it this way, is synched to each other for my "experimental" stuff. I can record the midi output of the Polybrute and tweak later on if a song has a defined tempo or not. My guitars, percussion, harrmonicas and vocals are never of course and only synched to my brain's inner tempo control (or click/reference track) as well as everything else that is microphone captured. Software synths including soft drums and effects which are usually in my personal workflow for certain songs are most definitely in clock and are followed by my non-synched playing. The human feel is what I have strived for.

    They haven't yet given me a number and taken 'way my name.

    [​IMG]
     
  10. Garamondo Furbish

    Garamondo Furbish Audiosexual

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    not your fault really, you just didn't know...
    Probably didn't read the membership manual they gave out at the Christmas dinner back in 1978 when the site started. It was actually printed on paper as they hadn't invented the .pdf yet and Adobe was still a type of earthen building material used by native people to build luxury condiminums in the SW usa...
     
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  11. Garamondo Furbish

    Garamondo Furbish Audiosexual

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    Even girl cows get the blues...

    or is it blues on the hoof?
     
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  12. Garamondo Furbish

    Garamondo Furbish Audiosexual

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    I'd love to offer some help on this topic, but I'm still waiting for my MIDI bagpipe controller to arrive and I'm spending my days looking at Youtube Videos trying to figure out what hardware module to get for it. I do like Nord GlockenSpiel1000 with the auto-wah-wah module, but I have a problem committing when I know R2R will bring out a plugin that does more, cost less and doesn't need dusting or take up a corner of my flat..
     
  13. ArticStorm

    ArticStorm Moderator Staff Member

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    Hardware: Pulse 2, Supernova (1 or 2 - 2 has FM too), AN1x maybe

    Software: Massive (w/o X), Sylenth1, Omnisphere as ROMpler (Nexus 5 is nice, but only for like 4 presets, Hive 1 & 2 can sound very nice)
     
  14. StormChaser

    StormChaser Producer

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    Hardware
    Korg Kronos
    Novation Summit
    Roland Fantom 7 EX

    Software
    VPS Avenger 2
    Korg Collection 5
    Spire
     
    Last edited: Apr 22, 2025 at 3:56 PM
  15. Smeghead

    Smeghead Audiosexual

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    Moog System 55
    Yamaha GX-1
    Korg miniKorg 700s
     
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  16. Nefarai

    Nefarai Producer

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    Gosh.

    I had a Virus C once but I sold it to pay bills so the only thing that resembles a hardware synth in my setup now is an Akai MPK mini.

    I would like a hardware synth but it would have to be true analogue polyphonic business so lord knows if I'll ever have the bunts to own one.

    Soft synths I use most in no particular order.

    1. Dune/Obsession
    2. Serum
    3. Spire

    Pretty much cover all bases with those 4
     
  17. Smeghead

    Smeghead Audiosexual

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    Actually, let me revise my answer:

    Hardware: who cares, you can't afford it
    Virtual: all of them
     
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  18. Nefarai

    Nefarai Producer

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    Yeah this is more like it, if I could steal a shit load of hardware synths that'd be grand

    Anyone have a nice collection of gear and an inferior security system?? Give me a shout
     
    Last edited by a moderator: Apr 23, 2025 at 10:44 AM
  19. aymat

    aymat Audiosexual

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    I have at the moment 12 hardware synths (technically one is a sampler), but the following 3 Ive used consistently the past 20 years (I replaced a maxed out XV5080 for the Integra-7, but they're basically the same thing)

    - Roland Integra-7
    - Yamaha Motif-Rack ES expanded with PLG-AN and PLG-DX cards
    - Access Virus TI

    These get used in some way for every track I make and I dont think I could ever get rid of them or would want to. They feel like my children at this point.
     
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  20. Lois Lane

    Lois Lane Audiosexual

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    Sissy Hacksaw on the hoof.

    [​IMG]
     
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