Dear colleagues on the forum,
I am happy to share my last piece which is having a pretty lucky life... It's not "mastered" so feel free to push your speaker at the maximum (it should worth the try as I took care of the bass management with much effort)
Hope you enjoyed.
The guy playing the contrabass clarinet is Paolo Ravaglia, and he's incredibly good.

http://soundcloud.com/alessandro-ratoci/ratoci-uprising-2014-paolo-ravaglia

 

Sounds like a extremely horny autistic cyborg giraffe...with tits just below it's anus and a broken satellite antenna near the genital region.

 

This is absolutely cool comment, i love giraffes!

 

A concoction of drunk clarinets, drunk synths playing by themselves and melodic farts thrown at an abandoned street corner, below a lamp going on and off outside of a brothel on a dark night.

Oh, and party horns blown by retarded orcs.

Ehm, Random Synth Noir.

Dunno, it's a bit humorous and a bit dark at the same time. Interesting choice of timbres.

Video related:
http://youtu.be/m1A9-nv4X-8?t=2m14s

 

I have to quote Queen on their first albums:
No synths have been used to record this album...

 

Really? Then good use of effects/editing, too. (The clarinet is good, yes)

 

Only the kick is a sound material which is heterogeneous to the clarinet. everything else are frequency band of the clarinet delayed on time.
A sort of spectral delay but made without spectral effect. Simply a multi band crossover filter and every band is delayed and "trance-gated" to make rhythm effects.
There is also some looping-glissando to make the rising and falling gestures.
yeah mostly is a cut and paste editing paranoia. When we play it live is half playback of a track and half live effects.
Thanks for the good critics!
A.


Basically everything is build on