How make Bassline (Emma Hewitt - Rewind (Mikkas Remix)) Pleas FLP Mini tutorial (I can use any VST Plugin)

OR
Daniel Kandi & Jack Rowan & - Arigatou
[media]https://www.youtube.com/watch?v=J11Yo5sOwJQ[/media]

Real... I really need your help, help with a project, you need to make a bass and a bit ....

 

Translation

can someone make a tutorial on FL Studio or show me how to make this bassline from (Emma Hewitt - Rewind (Mikkas Remix)
http://youtu.be/1CHVVstR7F0?t=38s
(i´m able to use any vsti that you might suggest, sylenth1 or ZE3TA or Massive)

another example of the bassline sound, Daniel Kandi & Jack Rowan & - Arigatou
https://www.youtube.com/watch?v=J11Yo5sOwJQ

i really need you help, you have to create an FL Studio project\template with the bassline and the drum beat and send it to me.


@Liberman

i really doubt that anyone will send you a project,
but probably someone will give you some tips on how to recreate that bassline

 

Take Fuad in consideration *yes* http://audiosex.pro/index.php?/topic/7429-improve-your-mixing-mastering-music-production-skills/

I guess you want fast results, not much sweating on your side and basically everything on a plate, so contact Fuad he will get you there ASAP

 

I really think Fuad should have the bloody decency to contact Liberman. I mean, does Liberman have to do every-bloody-thing?

@ Liberman: I failed making the bass line but I have a "bit" you are more than welcome to.

 

Well, I would usually stop my world for a decent amount of time and dig more into this subject, but in my book this isn't something I would come near, when someone ask for anything on a plate, I'm usually that guy that only want to teach you how to fish, not hunt&cook&serve,you catch my drift.

About Fuad, he came to my mind, because he is perfect guy for this, when you have your doubts and you want to learn and explore, this forum is gold mine, but when you want fast results, quick answers and full attention, than it will cost you a little, but you are there ASAP, that's the whole point of his services, 1 on 1 tutoring, he is not only one that is doing that and I think it's not that bad, I would definitely consider that if I have million questions and have private tutor to explain me all that, pretty usual deal with all private tutoring no matter what subject is, instrument,school and etc.

And yes,LIberman should do every freaking thing because he is producing, learning, hunting for answers and figuring things out, it's his thing and it's up to him, whatever he want to do or not, this is not like coming to your parents and asking them to buy you iPhone or something, nobody gives a shit about you except your parents, so either somebody will give you piece of their free time or you pay for it, it's cruel world, but good word can open all doors, I would help him but neither I use FL, nor I would give anybody all that in project, preset is ok, but making beat and bassline so the sir can just open and enjoy, no *no*

 

"Give a man a fish, and you feed him for a day; show him how to catch fish, and you feed him for a lifetime."

whatever happened to learning?

 

Word Xsze! *yes*

(You do know I was being facetious before, right?)

 

It's all good dear pliz971

Guess fast food thing brother, everything else is out of the question

 

Youre quiet a charmer.

I am refering to the first track. You cannot distort that much without destroying the sub content.
This bassline is the result of two or three synths with the same midi input. Or a multilayer synth.
Its all about the mod matrix. You might think about how you can avoid that the mod of the filter
on the long note (on the >1<) will affect the short notes in the middle of the bassline. For example
via velocity.

Do you hear the bandpass-bass in the middle?
And the noise that is playing in the breaks is also hitting on the one. Try to think of your sound
as a layered piece. I hate this kind of music but I know the effect of aggression seems to have something
to do with the 'whole spectrum' covered.

Start with a sub bass. Isolate it from the layers. Two layers should be enough. Maybe one with a
lower and one with a higher bandpassed sound. Add a distortion unit early. I think you know
how to make a 'huge unisono saw'. You could also try to add a chorus over it and then crush
it with distortion. (including the chorus of course) I guess you want to do this genre so maybe
you like doing it with a comb filter. Experiment is the key. If YOU like it - others will do too.