btw you could also use a phaser as well and achieve more sophisticated and intuitive results for that sweeping motion on the pad...

 

I would except I just noticed (.)(.) Nailed it

 

tits sounds close with envelopes and moving and air but its another timbre , still...tits sounds analog vintage....like all other examples
the preset in khords is still winner as starting point...absynth has this i bet...

do anyone know which note in the original is used ?

 

Last edited: Sep 16, 2019

jynx

you know this sound...dont you ?!

 

.

 

Last edited: Sep 17, 2019

History of noise in music production

Noise has always been used in sound production as a tool for sound design and synthesis. First of all, it’s a basic tool for live sound. Pink noise, because of its particular frequency response (energy is proportional to the frequency, so energy levels decrease as the octaves increase), displays a very natural frequency response. This means that it is used to test P.A. systems and adjust their frequency response in concerts, showrooms, studios and festivals. When producing, it’s very common to filter noise to create different sonic textures. In film production, the majority of the water or wind sounds you can hear (especially in old movies) is simply noise being filtered and modulated. Also, it plays a substantial role in synthesisers, where the inclusion of noise, modulated by envelope generators, LFOs, filters, etc. gives a unique character to the sounds produced. This makes it possible to create tones that sound bright or harsh, or comfortable and warm, simply by layering the right amount of it. If you think of a lot of the famous “rave” synth sounds that are very in your face and harsh, they usually have a good amount of noise content layered on top of more musical wave forms, giving them that “airy” character.
https://www.denise.io/blog/2019/9/n...explained-in-two-minutes-with-pro-mixing-tips

 

In the original song I hear the Pad is compressed and side chained by the kick.I often do that.This gives movement.
A delay or a chorus after the reverb can be tricky too.
And Like Tits said a phaser is nice with pads.Like Gyro said layering the pad with a (white,often) noise give some consistency.

Try the TC VSS3 Reverb,it's nice too.Or the Native Instruments ones,they are easier to understand and sound great.

 

i just dont begin to ask whats with the drumset...also his last example was way better then the analog vintage phaser synth from the screaming title artist

 

got confirmation on that...at least you find very similar...90ies digital air pad
so such preset we could reverse instead of .....

 

Yeah Absynth is awesome for pads,textures,drones,SFX.